The Works of William Mason, Том 3T. Cadell and W. Davies, 1811 |
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Стр. 16
... figure of a woman ; a young woman of Athens going to see the monument of a lover ; neas carrying his father to his tomb ; Mars finding Lavinia sleeping on the banks of the Tyber descending from his chariot , and lifting up the veil ...
... figure of a woman ; a young woman of Athens going to see the monument of a lover ; neas carrying his father to his tomb ; Mars finding Lavinia sleeping on the banks of the Tyber descending from his chariot , and lifting up the veil ...
Стр. 17
... figures of which were by Mignard . As he understood architecture very well , he drew for Mons . de Vilargelé all the designs of a house which that gentleman built four leagues from Avignon ; C VOL . III . as likewise those for the Hotel ...
... figures of which were by Mignard . As he understood architecture very well , he drew for Mons . de Vilargelé all the designs of a house which that gentleman built four leagues from Avignon ; C VOL . III . as likewise those for the Hotel ...
Стр. 32
... figure on its central base , 146 150 But chief from her that flowing outline take , Which floats , in wavy windings , like the snake , Disparia inter se modicùm ratione laboris ; Ut patet ex veterum Statuis , formæ atque decoris ...
... figure on its central base , 146 150 But chief from her that flowing outline take , Which floats , in wavy windings , like the snake , Disparia inter se modicùm ratione laboris ; Ut patet ex veterum Statuis , formæ atque decoris ...
Стр. 34
... figures . IX . Conformity of the limbs and drapery of the head . t X. Action of the mutes to be imitated . XI . The principal figure . 180 126 130 × VIII . Varietas in figuris › IX . Figura sit una mem- bris et vestibus . Z X. Mutorum ...
... figures . IX . Conformity of the limbs and drapery of the head . t X. Action of the mutes to be imitated . XI . The principal figure . 180 126 130 × VIII . Varietas in figuris › IX . Figura sit una mem- bris et vestibus . Z X. Mutorum ...
Стр. 35
... eodem ; b XII . Groups of figures . XIII . Diversity of Attitude in Groups . 135 d XII . Figurarum globi seu cumuli . • XIII . Positurarum diver- sitas in cumul . Thus , when the rest in front their charms display [ 35 ]
... eodem ; b XII . Groups of figures . XIII . Diversity of Attitude in Groups . 135 d XII . Figurarum globi seu cumuli . • XIII . Positurarum diver- sitas in cumul . Thus , when the rest in front their charms display [ 35 ]
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Accent admirable Albert Durer Andrea Anthem antient Antwerp appear Artist atque Author Bagnacavallo beauty called Caracci charms Chaunt Church Music colorum colours Composer composition Correggio defect detto Discant Domenichino drapery Essay expression figures forms Francesco Fresnoy genius Giacomo Giottino Giov Girolamo give grace Guercino Guido harmony History Florence History idea imitated instrument invention kind Landsc learned light and shade Ludovico Carracci manner master Melody ment Michael Angelo mind mode modern Nature noble Note Painter passions Paul Brill Paul Veronese perfect performed picture Pietro Pietro Perugino pleasing poem Poet poetical Poetry Portraits practice principal produced Prospero Fontana Psalmody Psalms quæ Raffaelle reader Rome Rubens rules sentiment shadows Simon Vouet singing Sir John Hawkins solemn style syllable taste thing tion Titian tragedy translation true Udina Venice Verse Virgil Vocal whole words
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Стр. 314 - Anon they move In perfect phalanx to the Dorian mood Of flutes and soft recorders...
Стр. 29 - Viselli : 105 est modus in rebus, sunt certi denique fines, quos ultra citraque nequit consistere rectum.
Стр. 298 - At last divine Cecilia came, Inventress of the vocal frame; The sweet enthusiast, from her sacred store, Enlarged the former narrow bounds, And added length to solemn sounds, With Nature's mother-wit, and arts unknown before. Let old Timotheus yield the prize, Or both divide the crown : He raised a mortal to the skies : She drew an angel down.
Стр. 224 - And breathe an air divine on every face ; Yet should the Muses bid my numbers roll Strong as their charms, and gentle as their soul; With Zeuxis...
Стр. 223 - The living image in the painter's breast! Thence endless streams of fair ideas flow, Strike in the sketch, or in the picture glow; Thence Beauty, waking all her forms, supplies An angel's sweetness, or Bridgewater's eyes.1 Muse! at that name thy sacred sorrows shed...
Стр. 310 - The interim of unsweating themselves regularly and convenient rest before meat may both with profit and delight be taken up in recreating and composing their travailed spirits with the solemn and divine harmonies of music, heard or learned either while the skilful organist plies his grave and fancied descant in lofty fugues or the whole symphony with artful and unimaginable touches adorn and grace the well-studied chords of some choice composer — sometimes the lute or soft organ-stop waiting on...
Стр. 355 - HARRY, whose tuneful and well-measured song First taught our English music how to span Words with just note and accent, not to scan With Midas' ears, committing short and long, Thy worth and skill exempts thee from the throng, With praise enough for Envy to look wan : To after age thou shalt be writ the man That with smooth air couldst humour best our tongue. Thou honour'st verse, and verse must lend her wing To honour thee, the priest of Phoebus...
Стр. 198 - Truth is the object of our understanding, as good is of our will; and the understanding can no more be delighted with a lie, than the will can choose an apparent evil. As truth is the end of all our speculations, so the discovery of it is the pleasure of them; and since a true knowledge of nature gives us pleasure, a lively imitation of it, either in poetry or painting, must of necessity produce a much greater: for both these arts . . . are not only true imitations of nature, but of the best nature,...
Стр. 23 - RUE poetry the Painter's power displays : True Painting emulates the Poet's lays ; The rival sisters, fond of equal fame, Alternate change their office and their name ; Bid silent Poetry the canvass warm, . 5 The tuneful page with speaking picture charm.
Стр. 73 - Yet higher still great TITIAN dar'd to soar, He reach'd the loftiest heights of colouring's power ; His friendly tints in happiest mixture flow, His shades and lights their just gradations know; His were those dear delusions of the art...