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THE BIGLOW PAPERS

THE COURTIN'1

SECOND SERIES

GOD makes sech nights, all white an' still
Fur 'z you can look or listen,
Moonshine an' snow on field an' hill,
All silence an' all glisten.

Zekle crep' up quite unbeknown

An' peeked in thru' the winder,
An' there sot Huldy all alone,
'ith no one nigh to hender.

A fireplace filled the room's one side
With half a cord o' wood in

ΤΟ

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1 The only attempt I had ever made at anything like a pastoral (if that may be called an attempt which was the result almost of pure accident) was in 'The Courtin',' While the Introduction to the First Series was going through the press, I received word from the printer that there was a blank page left which must be filled. I sat down at once and improvised another fictitious notice of the press,' in which, because verse would fill up space more cheaply than prose, I inserted an extract from a supposed ballad of Mr. Biglow. I kept no copy of it, and the printer, as directed, cut it off when the gap was filled. Presently I began to receive letters asking for the rest of it, sometimes for the balance of it. I had none, but to answer such demands, I patched a conclusion upon it in a later edition. Those who had only the first continued to importune me. Afterward, being asked to write it out as an autograph for the Baltimore Sanitary Commission Fair, I added other verses, into some of which I infused a little more sentiment in a homely way, and after a fashion completed it by sketching in the characters and making a connected story. Most likely I have spoiled it, but I shall put it at the end of this Introduction, to answer once for all those kindly importunings. (LOWELL, in the Introduction' to the Biglow Papers, 1866.)

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He'd sparked it with full twenty gals, Hed squired 'em, danced 'em, druv 'em, Fust this one, an' then thet, by spellsAll is, he could n't love 'em.

But long o' her his veins 'ould run
All crinkly like curled maple,
The side she breshed felt full o' sun
Ez a south slope in Ap'il.

She thought no v'ice hed sech a swing
Ez hisn in the choir;

My! when he made Ole Hunderd ring,
She knowed the Lord was nigher.

An' she'd blush scarlit, right in prayer,
When her new meetin'-bunnet
Felt somehow thru' its crown a pair
O' blue eyes sot upun it.

Thet night, I tell ye, she looked some!
She seemed to 've gut a new soul,
For she felt sartin-sure he'd come,
Down to her very shoe-sole.

She heered a foot, an' knowed it tu,
A-raspin' on the scraper,

All ways to once her feelins flew
Like sparks in burnt-up paper.

He kin' o' l'itered on the mat,

Some doubtfle o' the sekle, His heart kep' goin' pity-pat, But hern went pity Zekle.

An' yit she gin her cheer a jerk
Ez though she wished him furder,
An' on her apples kep' to work,
Parin' away like murder.

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They're 'most too fur away, take too much time

To visit of'en, ef it ain't in rhyme;
But the''s a walk thet 's hendier, a sight,
An' suits me fust-rate of a winter's night,

the British mail-steamer Trent. On the way the Trent was stopped by Captain Wilkes, of the American manof-war San Jacinto, and the Confederate agents were transferred as prisoners to the latter vessel. The British Government at once proclaimed the act a great outrage,' and sent a peremptory demand for the release of the prisoners and reparation. At the same time, without waiting for any explanation, it made extensive preparations for hostilities. It seemed and undoubtedly was expedient for the United States to receive Lord Russell's demand as an admission that impressment of British seamen found on board neutral vessels was unwarrantable. Acting on the demand as an admission of the principle so long contended for by the United States, Mr. Seward disavowed the act of Wilkes and released the commissioners. But it was held then and has since been stoutly maintained by many jurists that the true principles of international law will not justify a neutral vessel in transporting the agents of a belligerent on a hostile mission. On the analogy of despatches they should be contraband. The difficulty of amicable settlement at that time, however, lay not so much in the point of law as in the intensity of popular feeling on both sides of the Atlantic. (F. B. Williams, in the Riverside and Cambridge Editions of Lowell's Poetical Works.) See also the long introductory letter of the Rev. Homer Wilbur, in the Cambridge Edition, pp. 228-233, and the Riverside Edition, vol. ii, pp 240-253.

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Turn ghosts o' sogers should'rin' ghosts o' guns;

Ez wheels the sentry, glints a flash o' light, Along the firelock won at Concord Fight, An', 'twixt the silences, now fur, now nigh,

With the Stone Spike thet 's druv thru Bunker's Hill;

Whether 't was so, or ef I on'y dreamed, I couldn't say; I tell it ez it seemed.

THE BRIDGE

Wal, neighbor, tell us wut's turned up thet's new?

You're younger 'n I be, -nigher Boston,

tu:

An' down to Boston, ef you take their showin',

Wut they don't know ain't hardly wuth the knowin'.

There's sunthin' goin' on, I know: las' night

The British sogers killed in our gret fight 70 (Nigh fifty year they hed n't stirred nor spoke)

Made sech a coil you'd thought a dam hed broke:

Why, one he up an' beat a revellee
With his own crossbones on a holler tree,
Till all the graveyards swarmed out like a
hive

With faces I hain't seen sence Seventy

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THE MONIMENT

80

Rings the sharp chellenge, hums the low You know them envys thet the Rebbles

reply.

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sent,

An' Cap'n Wilkes he borried o' the Trent?

THE BRIDGE

Wut! they ha'n't hanged 'em? Then their wits is gone!

Thet's the sure way to make a goose a swan!

THE MONIMENT

No: England she would hev 'em, Fee, Faw, Fum!

(Ez though she hed n't fools enough to home),

So they 've returned 'em

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It's you

're the sinner ollers, she's the saint;

Wut's good 's all English, all thet is n't ain't;

120

Wut profits her is ollers right an' just, An' ef you don't read Scriptur so, you must;

She 's praised herself ontil she fairly thinks There ain't no light in Natur when she winks;

Hain't she the Ten Comman'ments in her pus ?

Could the world stir 'thout she went, tu, ez nus ?

She ain't like other mortals, thet 's a fact: She never stopped the habus-corpus act, Nor specie payments, nor she never yet Cut down the int'rest on her public debt; 130 She don't put down rebellions, lets 'em breed,

An' 's ollers willin' Ireland should secede; She's all thet 's honest, honnable, an' fair, An' when the vartoos died they made her heir.

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THE MONIMENT

But, neighbor, ef they prove their claim at law,

The best way is to settle, an' not jaw.
An' don't le''s mutter 'bout the awfle bricks
We'll give 'em, ef we ketch 'em in a
fix:

That 'ere 's most frequently the kin' o'talk
Of critters can't be kicked to toe the chalk;
Your You'll see nex' time!' an' Look
out bumby!'

'Most ollers ends in eatin' umble-pie. 'T wun't pay to scringe to England: will it pay

100

To fear thet meaner bully, old ‘They 'll say'?

Suppose they du say: words are dreffle bores,

But they ain't quite so bad ez seventy-fours. Wut England wants is jest a wedge to fit Where it'll help to widen out our split: She's found her wedge, an' 't ain't for us to come

An' lend the beetle thet 's to drive it home. For growed-up folks like us 't would be a scandle,

When we git sarsed, to fly right off the

handle.

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