Six Lectures on Harmony: Delivered at the Royal Institution of Great Britain, Before Easter, 1867Longmans, Green, Reader, and Dyer, 1877 - Всего страниц: 224 |
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Стр. 3
... derived such infinite advantage from its knowledge in my own practical musicianship , that I should be dishonest to myself and to my hearers were I to pretend to teach any other ; and if I could have the good fortune to bring any ...
... derived such infinite advantage from its knowledge in my own practical musicianship , that I should be dishonest to myself and to my hearers were I to pretend to teach any other ; and if I could have the good fortune to bring any ...
Стр. 27
... derived , and differently treated , and dif- ferently felt , from the same notes in the key of bE , and this truth must be for ever present in the thought of the melodist and the harmonist . the 7 notes There will arise constant ...
... derived , and differently treated , and dif- ferently felt , from the same notes in the key of bE , and this truth must be for ever present in the thought of the melodist and the harmonist . the 7 notes There will arise constant ...
Стр. 98
... derived from the other two roots , I shall have to show you that the uniform progression of each dissonant note to its resolution and the uniform progression of roots prevail no longer . Dominant 7th , So far as I have shown the ...
... derived from the other two roots , I shall have to show you that the uniform progression of each dissonant note to its resolution and the uniform progression of roots prevail no longer . Dominant 7th , So far as I have shown the ...
Стр. 103
... derived , or , if you will , selected , and hence its availa- bility as the chord before the tonic in a perfect ca- dence . The ancient inadmission of the inverted 5th a Page 52 . as a consonant 4th , precluded the use of the THE MODERN ...
... derived , or , if you will , selected , and hence its availa- bility as the chord before the tonic in a perfect ca- dence . The ancient inadmission of the inverted 5th a Page 52 . as a consonant 4th , precluded the use of the THE MODERN ...
Стр. 113
... derived , and which , as already said , are composed of it . " dominant . The minor chord of the subdominant , in all its Minor sub- positions and inversions , is employed as a chromatic chord in the major key , especially in the modern ...
... derived , and which , as already said , are composed of it . " dominant . The minor chord of the subdominant , in all its Minor sub- positions and inversions , is employed as a chromatic chord in the major key , especially in the modern ...
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Six Lectures on Harmony, Delivered at the Royal Institution of Great Britain ... G. A. Macfarren Недоступно для просмотра - 2017 |
Six Lectures on Harmony: Delivered at the Royal Institution of Great Britain ... George Alexander Macfarren, Sir Недоступно для просмотра - 2016 |
Часто встречающиеся слова и выражения
A. K. H. B. Crown 8vo ancient style augmented 6th bass note beautiful character chro chromatic chord chromatic scale Church common chord composers comprising consonant derived diatonic style Dictionary diminished 5th dissonant domi dominant 7th effect employed Encyclopædia English enharmonic equal temperament Essays example Greek harmonic series harmony History Illustrations interval John John Stuart Mill John Tyndall key-note leading note leading-note Lectures M.A. Crown 8vo major 13th major 3rd major 9th major key Maps matic mediant melody ment minor 13th minor 3rd minor 9th minor key mode modern music modulation nant octave passage passing-notes peculiar pedal perfect 5th pianoforte plagal Plates Post 8vo practice principles progression PUBLISHED BY LONGMANS R. A. Proctor resolved root Second Edition second inversion semitone SONATA sound strict style subdominant submediant supertonic suspended 9th suspension tion tonality tone Translated treatment vols Woodcuts written
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