Gloriana's Face: Women, Public and Private, in the English RenaissanceS. P. Cerasano, Marion Wynne-Davies Harvester Wheatsheaf, 1992 - Всего страниц: 234 |
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Стр. 131
... Katherine ' . Katherine Minola is referred to by all in the play , including herself , as Katherine.13 On first meeting her , Petruchio , without hesitation , uses the abbreviated form ' Kate ' : ' Good morrow , Kate , for that's your ...
... Katherine ' . Katherine Minola is referred to by all in the play , including herself , as Katherine.13 On first meeting her , Petruchio , without hesitation , uses the abbreviated form ' Kate ' : ' Good morrow , Kate , for that's your ...
Стр. 134
... Katherine , as critics frequently remark , is that Sly's ' transformation ' can only be temporary , while Katherine's may or may not be permanent . The question of how seriously Petruchio wants his Katherine to remain Kate is relevant ...
... Katherine , as critics frequently remark , is that Sly's ' transformation ' can only be temporary , while Katherine's may or may not be permanent . The question of how seriously Petruchio wants his Katherine to remain Kate is relevant ...
Стр. 149
... Katherine of France first encoun- ters her suitor . The French and English lords exit at v . ii . 98 to survey Henry's conditions of peace , and Katherine , at Henry's request , is left behind , chaperoned by her waiting - woman , Alice ...
... Katherine of France first encoun- ters her suitor . The French and English lords exit at v . ii . 98 to survey Henry's conditions of peace , and Katherine , at Henry's request , is left behind , chaperoned by her waiting - woman , Alice ...
Содержание
Penelope and the Politics of Womans Place in | 25 |
Autobiographical Texts | 47 |
Queen Elizabeth in Her Speeches | 63 |
Авторские права | |
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Gloriana's Face: Women, Public and Private, in the English Renaissance S. P. Cerasano,Marion Wynne-Davies Ограниченный просмотр - 1992 |
Gloriana's Face: Women, Public and Private, in the English Renaissance S. P. Cerasano,Marion Wynne-Davies Просмотр фрагмента - 1992 |
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Ann Fanshawe Anna Trapnel Anne Clifford Arcadia authority autobiography Barmenissa Ben Jonson Benedick chastity Claudio Coppélia Countess Countess of Bedford criticism daughter desire discourse Eliza Elizabeth of Bohemia England English Renaissance essay example female feminine fiction gender Greene's Gynecia hath Henry Henry IV Hero honest slander Hotspur husband Ibid identity Jacobean John Jonson Kate Katherine King Lady Anne Clifford Lady Mary Wroth Lady Percy language Lear literary London Lord male Margaret marriage Mary Masque of Blackness Masque of Queens metaphor Methuen Mortimer mother Oxford pamphlet patriarchal Penelope Penelope's Petruchio Philoclea play poem political portrait preaching Prince Puritan Puritan women Pyrocles Queen Elizabeth relationship rhetoric role scene seventeenth century sexual Shakespeare Shrew Sidney Sidney's silence social Speght's spiritual story suggests Taming Tilbury tion Trapnel University Press Urania verbal virtue wife woman women writers words writing Wroth York