The Works of William Mason, M.A. Precentor of York, and Rector of Aston: The art of painting by Charles Alphonse du Fresnoy. Notes by sir Joshua Reynolds. Mr Dryden's Preface. Mr Pope's epistle to Mr. Jervas. Essays on English Church musicT. Cadell and W. Davies, Strand, 1811 |
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... , for an read any . 288 , line 24 , after genius , instead of who read which . 371 , - 7 , after omitted dele By . 380 , last line but one , instead of a necessary read as necessary . THE ART OF PAINTING , OF CHARLES ALPHONSE DU FRESNOY.
... , for an read any . 288 , line 24 , after genius , instead of who read which . 371 , - 7 , after omitted dele By . 380 , last line but one , instead of a necessary read as necessary . THE ART OF PAINTING , OF CHARLES ALPHONSE DU FRESNOY.
Стр. 85
... necessary en- deavours to make himself master of the language which properly belongs to his art , that of his pencil . This circle of self - applause and reflected admiration , is to him the world , which he vainly imagines he has ...
... necessary en- deavours to make himself master of the language which properly belongs to his art , that of his pencil . This circle of self - applause and reflected admiration , is to him the world , which he vainly imagines he has ...
Стр. 86
... necessary in order to judge of the propriety and truth of the expression and character of the actors . It may be remarked that action is the principal requisite in a subject for History - painting ; and that there are many subjects ...
... necessary in order to judge of the propriety and truth of the expression and character of the actors . It may be remarked that action is the principal requisite in a subject for History - painting ; and that there are many subjects ...
Стр. 87
... necessary for a picture ; it has a retrospect to other circumstances of history of a very complicated nature ; it marks no general or intelligible action or passion ; and it is necessarily deficient in that variety of heads , forms ...
... necessary for a picture ; it has a retrospect to other circumstances of history of a very complicated nature ; it marks no general or intelligible action or passion ; and it is necessarily deficient in that variety of heads , forms ...
Стр. 90
... intro- ducing animals , or whatever they might think necessary , to contrast or make the composition more picturesque , we can no longer wonder why the Poet has thought it worth setting a guard against this impropriety , when we [ 90 ]
... intro- ducing animals , or whatever they might think necessary , to contrast or make the composition more picturesque , we can no longer wonder why the Poet has thought it worth setting a guard against this impropriety , when we [ 90 ]
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Accent admirable Albert Durer Andrea Anthem antient Antwerp appear Artist atque Author Bagnacavallo beauty called Caracci charms Chaunt Church Music colorum colours Composer composition Correggio detto Discant Domenichino drapery Essay expression figures forms Francesco Fresnoy genius Giacomo Giottino Giov Girolamo give grace Guercino Guido harmony History Bologna History Florence idea imitated instrument invention kind Landsc learned light and shade Ludovico Carracci manner master Melody ment Michael Angelo mind mode modern Nature noble Note Painter Parma passions Paul Brill Paul Veronese perfect performed picture Pietro Pietro Perugino pleasing poem Poet poetical Poetry Portraits practice principal produced Prospero Fontana Psalmody Psalms quæ Raffaelle reader Rome Rubens rules shadows singing Sir John Hawkins solemn Studied under Excelled style syllable taste thing tion Titian tragedy translation true Udina Venice Verse Virgil Vocal whole words
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Стр. 314 - Anon they move In perfect phalanx to the Dorian mood Of flutes and soft recorders...
Стр. 208 - This, says my author, is the gift of Jupiter; and, to speak in the same heathen language, we call it the gift of our Apollo : not to be obtained by pains or study, if we are not born to it; for the motions which are studied are never so natural as those which break out in the height of a real passion. Mr Otway possessed this part as thoroughly as any of the Ancients or Moderns. I will not defend every thing in his Venice Preserved?
Стр. 199 - ... only true imitations of nature, but of the best nature, of that which is wrought up to a nobler pitch. They present us with images more perfect than the life in any individual ; and we have the pleasure to see all the scattered beauties of nature united by a happy chemistry, without its deformities or faults. They are imitations of the passions, which always move, and therefore consequently please ; for without motion there can be no delight, which cannot be considered but as an active passion....
Стр. 310 - The interim of unsweating themselves regularly and convenient rest before meat may both with profit and delight be taken up in recreating and composing their travailed spirits with the solemn and divine harmonies of music, heard or learned either while the skilful organist plies his grave and fancied descant in lofty fugues or the whole symphony with artful and unimaginable touches adorn and grace the well-studied chords of some choice composer — sometimes the lute or soft organ-stop waiting on...
Стр. 209 - Otway possessed this part as thoroughly as any of the ancients or moderns. I will not defend every thing in his Venice Preserved; but I must bear this testimony to his memory, that the passions are truly touched in it, though, perhaps there is somewhat to be desired both in the grounds of them, and in the height and elegance of expression ; but nature is there, which is the greatest beauty.
Стр. 221 - THIS verse be thine, my friend, nor thou refuse This from no venal or ungrateful Muse. Whether thy hand strike out some free design, Where life awakes, and dawns at every line, Or blend in beauteous tints the colour'd mass, And from the canvas call the mimic face...
Стр. 298 - Enlarged the former narrow bounds, And added length to solemn sounds, With Nature's mother-wit, and arts unknown before. Let old Timotheus yield the prize, Or both divide the crown : He raised a mortal to the skies : She drew an angel down.
Стр. 355 - HARRY, whose tuneful and well-measured song First taught our English music how to span Words with just note and accent, not to scan With Midas' ears, committing short and long, Thy worth and skill exempts thee from the throng, With praise enough for Envy to look wan : To after age thou shalt be writ the man That with smooth air couldst humour best our tongue. Thou honour'st verse, and verse must lend her wing To honour thee, the priest of Phoebus...
Стр. 178 - And upon this account the noblest Poets and the best Orators, when they desire to celebrate any extraordinary beauty, are forced to have recourse to statues and pictures, and to draw their persons and faces into comparison...
Стр. 23 - RUE poetry the Painter's power displays : True Painting emulates the Poet's lays ; The rival sisters, fond of equal fame, Alternate change their office and their name ; Bid silent Poetry the canvass warm, 5 The tuneful page with speaking picture charm.