Realism, Naturalism, and Symbolism: Modes of Thought and Expression in Europe, 1848-1914Roland N. Stromberg Walker, 1968 - Всего страниц: 296 The disenchantment of 1848 -- The pessimistic view -- Science, the new god -- The bourgeois world -- The realism of Flaubert -- Optimistic realism -- Russian realism -- Social realism -- Social realism and socialist realism -- The continuing march of science -- The book of despair -- Life in the raw -- The natural history of morality -- Naturalism and moralism -- Painting: the impressionists -- A critique of naturalism -- Human nature in politics -- The natural history of the soul -- The poet as seer -- The mystery of poetry -- A critique of symbolism -- Against the Grain -- The aesthetic ideal -- The decadence -- Some Wilde epigrams -- The influence of Richard Wagner -- Just before the war. |
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Стр. 94
... finally , it professed to unite all classes by reviving for all the chim- era of national glory . In reality , it was the only form of govern- ment possible at a time when the bourgeoisie had already lost , and the working class had not ...
... finally , it professed to unite all classes by reviving for all the chim- era of national glory . In reality , it was the only form of govern- ment possible at a time when the bourgeoisie had already lost , and the working class had not ...
Стр. 165
... finally , which had learned to see the true artistic act in the curbing of representational strength , in the organizing power of all artistic methods , must always more value strength for the sake of strength , inspiration for the sake ...
... finally , which had learned to see the true artistic act in the curbing of representational strength , in the organizing power of all artistic methods , must always more value strength for the sake of strength , inspiration for the sake ...
Стр. 216
... finally only for two or one - one's best friend - one's self . And the present artists say openly : " I create and understand myself , and if anybody does not understand me , so much the worse for him . " The assertion that art may be ...
... finally only for two or one - one's best friend - one's self . And the present artists say openly : " I create and understand myself , and if anybody does not understand me , so much the worse for him . " The assertion that art may be ...
Содержание
The disenchantment of 1848 Alexander Herzen From | 1 |
The continuing march of science David Masson Recent | 10 |
The decadence Holbrook Jackson The Eighteen | 24 |
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