Realism, Naturalism, and Symbolism: Modes of Thought and Expression in Europe, 1848-1914Roland N. Stromberg Walker, 1968 - Всего страниц: 296 The disenchantment of 1848 -- The pessimistic view -- Science, the new god -- The bourgeois world -- The realism of Flaubert -- Optimistic realism -- Russian realism -- Social realism -- Social realism and socialist realism -- The continuing march of science -- The book of despair -- Life in the raw -- The natural history of morality -- Naturalism and moralism -- Painting: the impressionists -- A critique of naturalism -- Human nature in politics -- The natural history of the soul -- The poet as seer -- The mystery of poetry -- A critique of symbolism -- Against the Grain -- The aesthetic ideal -- The decadence -- Some Wilde epigrams -- The influence of Richard Wagner -- Just before the war. |
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Стр. 40
... interest when it appeared in its first version in the Revue de Paris , where unwise deletions destroyed its harmony . Flaubert's position , as one so suddenly become famous , was at the same time excellent and bad ; and for this ...
... interest when it appeared in its first version in the Revue de Paris , where unwise deletions destroyed its harmony . Flaubert's position , as one so suddenly become famous , was at the same time excellent and bad ; and for this ...
Стр. 82
... interest in the preservation of society to those who have no interest whatever in order , stability , or preservation . Perhaps , in the great law of change that governs all earthly things , the workers are for modern society what the ...
... interest in the preservation of society to those who have no interest whatever in order , stability , or preservation . Perhaps , in the great law of change that governs all earthly things , the workers are for modern society what the ...
Стр. 252
... interest the per- formance of the tragedies of Aeschylus ; but if we look for the means by which such results were obtained , we find that it is by the al- liance of all the arts working together toward the same end , that is to say ...
... interest the per- formance of the tragedies of Aeschylus ; but if we look for the means by which such results were obtained , we find that it is by the al- liance of all the arts working together toward the same end , that is to say ...
Содержание
The disenchantment of 1848 Alexander Herzen From | 1 |
The continuing march of science David Masson Recent | 10 |
The decadence Holbrook Jackson The Eighteen | 24 |
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