Realism, Naturalism, and Symbolism: Modes of Thought and Expression in Europe, 1848-1914Roland N. Stromberg Walker, 1968 - Всего страниц: 296 The disenchantment of 1848 -- The pessimistic view -- Science, the new god -- The bourgeois world -- The realism of Flaubert -- Optimistic realism -- Russian realism -- Social realism -- Social realism and socialist realism -- The continuing march of science -- The book of despair -- Life in the raw -- The natural history of morality -- Naturalism and moralism -- Painting: the impressionists -- A critique of naturalism -- Human nature in politics -- The natural history of the soul -- The poet as seer -- The mystery of poetry -- A critique of symbolism -- Against the Grain -- The aesthetic ideal -- The decadence -- Some Wilde epigrams -- The influence of Richard Wagner -- Just before the war. |
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Стр. 98
... production , land and capital , now chiefly the means of enslaving and exploiting labor , into mere instruments of ... production . If cooperative production is not to remain a sham and a snare 98 REALISM.
... production , land and capital , now chiefly the means of enslaving and exploiting labor , into mere instruments of ... production . If cooperative production is not to remain a sham and a snare 98 REALISM.
Стр. 99
... production is not to remain a sham and a snare ; if it is to supersede the capitalist system ; if united cooperative societies are to regulate national production upon a common plan , thus taking it under their own control , and putting ...
... production is not to remain a sham and a snare ; if it is to supersede the capitalist system ; if united cooperative societies are to regulate national production upon a common plan , thus taking it under their own control , and putting ...
Стр. 216
... productions of art that they are very good , but that it is very difficult to understand them . We have grown used to this sort of assertion , but at the same time to say that a production of art is good , but unintelligible , is the ...
... productions of art that they are very good , but that it is very difficult to understand them . We have grown used to this sort of assertion , but at the same time to say that a production of art is good , but unintelligible , is the ...
Содержание
The disenchantment of 1848 Alexander Herzen From | 1 |
The continuing march of science David Masson Recent | 10 |
The decadence Holbrook Jackson The Eighteen | 24 |
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