Realism, Naturalism, and Symbolism: Modes of Thought and Expression in Europe, 1848-1914Roland N. Stromberg Walker, 1968 - Всего страниц: 296 The disenchantment of 1848 -- The pessimistic view -- Science, the new god -- The bourgeois world -- The realism of Flaubert -- Optimistic realism -- Russian realism -- Social realism -- Social realism and socialist realism -- The continuing march of science -- The book of despair -- Life in the raw -- The natural history of morality -- Naturalism and moralism -- Painting: the impressionists -- A critique of naturalism -- Human nature in politics -- The natural history of the soul -- The poet as seer -- The mystery of poetry -- A critique of symbolism -- Against the Grain -- The aesthetic ideal -- The decadence -- Some Wilde epigrams -- The influence of Richard Wagner -- Just before the war. |
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Стр. 21
... reason that in Shakespeare's historical plays the kings of England and France mutually address each other as France and England , and the Duke of Austria goes by the name of his country . It is as though the kings regarded themselves as ...
... reason that in Shakespeare's historical plays the kings of England and France mutually address each other as France and England , and the Duke of Austria goes by the name of his country . It is as though the kings regarded themselves as ...
Стр. 34
... reason that it goes on is that it exists . How feeble is this reason , compared to all those that announce the opposite , particularly this : what under the sun is there to do hereafter ? Supposing that the world continues to exist ...
... reason that it goes on is that it exists . How feeble is this reason , compared to all those that announce the opposite , particularly this : what under the sun is there to do hereafter ? Supposing that the world continues to exist ...
Стр. 234
... reason for everything , but it was left for romance to discover a reason for unreason . It was the romantic spirit in the art of Sir Walter Scott which saw no inconsistency between the folk - soul and the ideals of chivalry and nobility ...
... reason for everything , but it was left for romance to discover a reason for unreason . It was the romantic spirit in the art of Sir Walter Scott which saw no inconsistency between the folk - soul and the ideals of chivalry and nobility ...
Содержание
The disenchantment of 1848 Alexander Herzen From | 1 |
The continuing march of science David Masson Recent | 10 |
The decadence Holbrook Jackson The Eighteen | 24 |
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