Loose Canons: Notes on the Culture Wars

Передняя обложка
Oxford University Press, 20 мая 1993 г. - Всего страниц: 224
Multiculturalism. It has been the subject of cover stories in Time and Newsweek, as well as numerous articles in newspapers and magazines around America. It has sparked heated jeremiads by George Will, Dinesh D'Sousa, and Roger Kimball. It moved William F. Buckley to rail against Stanley Fish and Catherine Stimpson on "Firing Line." It is arguably the most hotly debated topic in America today--and justly so. For whether one speaks of tensions between Hasidim and African-Americans in Crown Heights, or violent mass protests against Moscow in ethnic republics such as Armenia, or outright war between Serbs and Bosnians in the former Yugoslavia, it is clear that the clash of cultures is a worldwide problem, deeply felt, passionately expressed, always on the verge of violent explosion. Problems of this magnitude inevitably frame the discussion of "multiculturalism" and "cultural diversity" in the American classroom as well. In Loose Canons, one of America's leading literary and cultural critics, Henry Louis Gates, Jr., offers a broad, illuminating look at this highly contentious issue. Gates agrees that our world is deeply divided by nationalism, racism, and sexism, and argues that the only way to transcend these divisions--to forge a civic culture that respects both differences and similarities--is through education that respects both the diversity and commonalities of human culture. His is a plea for cultural and intercultural understanding. (You can't understand the world, he observes, if you exclude 90 percent of the world's cultural heritage.) We feel his ideas most strongly voiced in the concluding essay in the volume, "Trading on the Margin." Avoiding the stridency of both the Right and the Left, Gates concludes that the society we have made simply won't survive without the values of tolerance, and cultural tolerance comes to nothing without cultural understanding. Henry Louis Gates is one of the most visible and outspoken figures on the academic scene, the subject of a cover story in The New York Times Sunday Magazine and a major profile in The Boston Globe, and a much sought-after commentator. And as one of America's foremost advocates of African-American Studies (he is head of the department at Harvard), he has reflected upon the varied meanings of multiculturalism throughout his professional career, long before it became a national controversy. What we find in these pages, then, is the fruit of years of reflection on culture, racism, and the "American identity," and a deep commitment to broadening the literary and cultural horizons of all Americans.

Результаты поиска по книге

Избранные страницы

Содержание

THE PROFESSION
85
SOCIETY
129

Другие издания - Просмотреть все

Часто встречающиеся слова и выражения

Популярные отрывки

Стр. xv - That only is true enlargement of mind which is the power of viewing many things at once as one whole, of referring them severally to their true place in the universal system, of understanding their respective values, and determining their mutual dependence.
Стр. 57 - Again, let a man only consider what a difference there is between the life of men in the most civilized province of Europe, and in the wildest and most barbarous districts of New India; he will feel it be great enough to justify the saying that "man is a god to man," not only in regard of aid and benefit, but also by a comparison of condition.
Стр. 49 - Race has become a trope of ultimate, irreducible difference between cultures, linguistic groups, or adherents of specific belief systems which — more often than not — also have fundamentally opposed economic interests. Race is the ultimate trope of difference because it is so very arbitrary in its application.
Стр. 43 - As a living, socio-ideological concrete thing, as heteroglot opinion, language, for the individual consciousness, lies on the borderline between oneself and the other. The word in language is half someone else's. It becomes "one's own...
Стр. 60 - I am apt to suspect the negroes, and in general all the other species of men (for there are four or five different kinds) to be naturally inferior to the whites. There never was a civilized nation of any other complexion than white, nor even any individual eminent either in action or speculation. No ingenious manufacturers amongst them, no arts, no sciences.
Стр. 59 - Whereas the having of slaves taught to write, or suffering them to be employed in writing, may be attended with great inconveniences, Be it enacted, That all and every person and persons whatsoever, who shall hereafter teach, or cause any slave or slaves to be taught to write, or shall use or employ any slave as a scribe in any manner of writing...
Стр. 44 - one's own" only when the speaker populates it with his own intention, his own accent, when he appropriates the word, adapting it to his own semantic and expressive intention. Prior to this moment of appropriation, the word does not exist in a neutral and impersonal language (it is not, after all, out of a dictionary that the speaker gets his words!l, but rather it exists in other people's mouths, in other people's contexts, serving other people's intentions: it is from there that one must take the...
Стр. 61 - But never yet could I find that a black had uttered a thought above the level of plain narration; never see even an elementary trait of painting or sculpture.
Стр. 60 - In Jamaica, indeed they talk of one negroe as a man of parts and learning [Francis Williams, the Cambridge-educated poet who wrote verse in Latin]; but 'tis likely he is admired for very slender accomplishments, like a parrot who speaks a few words plainly.
Стр. 139 - For, while the tale of how we suffer, and how we are delighted, and how we may triumph is never new, it always must be heard. There isn't any other tale to tell, it's the only light we've got in all this darkness.

Об авторе (1993)

Henry Louis Gates, Jr., is Chairman of the Afro-American Studies Department and W.E.B. Du Bois Professor of the Humanities at Harvard University. He is the author of The Signifying Monkey, Figures in Black, and Colored People; general editor of The Schomburg Library of Nineteenth Century Black Women Writers; and general editor of The W.E.B. Du Bois Institute series.

Библиографические данные