American Racist: The Life and Films of Thomas DixonUniversity Press of Kentucky, 10 сент. 2004 г. - Всего страниц: 264 " Thomas Dixon has a notorious reputation as the writer of the source material for D.W. Griffith's groundbreaking and controversial 1915 feature film The Birth of a Nation. Perhaps unfairly, Dixon has been branded an arch-conservative and a racist obsessed with what he viewed as "the Negro problem." As American Racist makes clear, however, Dixon was a complex, multitalented individual who, as well as writing some of the most popular novels of the early twentieth century, was involved in the production of some eighteen films. Dixon used the motion picture as a propaganda tool for his often outrageous opinions on race, communism, socialism, and feminism. His most spectacular production, The Fall of a Nation (1916), argues for American preparedness in the face of war and boasts a musical score by Victor Herbert, making it the first American feature film to have an original score by a major composer. Like the majority of Dixon's films, The Fall of a Nation has been lost, but had it survived, it might well have taken its place alongside The Birth of a Nation as a masterwork of silent film. Anthony Slide examines each of Dixon's films and discusses the novels from which they were adapted. Slide chronicles Dixon's transformation from a major supporter of the original Ku Klux Klan in his early novels to an ardent critic of the modern Klan in his last film, Nation Aflame. American Racist is the first book to discuss Dixon's work outside of literature and provide a wide overview of the life and career of this highly controversial twentieth-century southern populist. Anthony Slide is the author of numerous books, including Silent Players: A Biographical and Autobiographical Study of 100 Silent Film Actors and Actresses. |
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... Klux Klan Get your facts first, and then you can distort them as much as you please. Mark Twain to Rudyard Kipling (1899) CONTENTS Acknowledgments Introduction 1. The Life Worth Living 2. Southern.
... Klux Klan in 1868–69. Both men told their fathers' stories in The Birth of a Nation. Both were children of Reconstruction, both felt the South had been maligned, and both wanted to tell the true story as they knew it to be. “The true ...
... Klux Klan figures prominently in Dixon's first novels, and his name is permanently linked to the original organization and the principles on which it was founded. But Dixon was no fan of the modern, twentieth-century Klan; from his ...
... Klux Klan because I believe it a menace to American democracy. 7 Stirring as Dixon's words are (as always), his comments contain evidence that he did not in any way renounce the entire history of the Klan. The Ku Klux Klan was founded ...
... by those, who want to ignore it. (xix–xx) Sam Dickson lists his home as Marietta, Georgia. Newport Beach is located in Orange County, the home of the John Birch Society. Unquestionably, comments by modern members of the Ku Klux Klan.
Содержание
Southern History on Film | |
The Fall of a Nation | |
The Foolish Virgin and the New Woman | |
The Red Scare | |
Miscegenation | |
Journeyman Filmmaker | |
Nation Aflame | |
The Final Years | |
Raymond Rohauer and the Dixon Legacy | |
Filmography | |
Notes | |