American Racist: The Life and Films of Thomas DixonUniversity Press of Kentucky, 10 сент. 2004 г. - Всего страниц: 264 " Thomas Dixon has a notorious reputation as the writer of the source material for D.W. Griffith's groundbreaking and controversial 1915 feature film The Birth of a Nation. Perhaps unfairly, Dixon has been branded an arch-conservative and a racist obsessed with what he viewed as "the Negro problem." As American Racist makes clear, however, Dixon was a complex, multitalented individual who, as well as writing some of the most popular novels of the early twentieth century, was involved in the production of some eighteen films. Dixon used the motion picture as a propaganda tool for his often outrageous opinions on race, communism, socialism, and feminism. His most spectacular production, The Fall of a Nation (1916), argues for American preparedness in the face of war and boasts a musical score by Victor Herbert, making it the first American feature film to have an original score by a major composer. Like the majority of Dixon's films, The Fall of a Nation has been lost, but had it survived, it might well have taken its place alongside The Birth of a Nation as a masterwork of silent film. Anthony Slide examines each of Dixon's films and discusses the novels from which they were adapted. Slide chronicles Dixon's transformation from a major supporter of the original Ku Klux Klan in his early novels to an ardent critic of the modern Klan in his last film, Nation Aflame. American Racist is the first book to discuss Dixon's work outside of literature and provide a wide overview of the life and career of this highly controversial twentieth-century southern populist. Anthony Slide is the author of numerous books, including Silent Players: A Biographical and Autobiographical Study of 100 Silent Film Actors and Actresses. |
Результаты поиска по книге
Результаты 1 – 5 из 23
... be true motto of the Ku Klux Klan Get your facts first, and then you can distort them as much as you please. Mark Twain to Rudyard Kipling (1899) CONTENTS Acknowledgments Introduction 1. The Life Worth Living 2. Southern.
... Mark of the Beast. Plagiarizing from oneself is no crime; somewhat more questionable is Dixon's plagiarism of Walt Whitman's Specimen Days and Collect (1882–83) for his scenes of Washington life at the close of the Civil War in The ...
... Mark of the Beast. Griffith and Dixon are the only true Southern filmmakers from the so-called golden age of the motion picture, although an argument might certainly be made for the inclusion of John Ford as at the least an honorary ...
... mark of shame.” “But it is the one drop of negro blood at which your taste revolts, is it not?” “To be frank, it is.” (p. 395) Lowell throws Harris from his home, arguing that social rights and political rights are not interwoven: I ...
... , but it did not mark a close of Dixon's writings on Southern history. He presented an apologist fiction of the life of Abraham Lincoln in The Southerner, set against the story of two brothers, Ned and John Vaughan, both in love.
Содержание
Southern History on Film | |
The Fall of a Nation | |
The Foolish Virgin and the New Woman | |
The Red Scare | |
Miscegenation | |
Journeyman Filmmaker | |
Nation Aflame | |
The Final Years | |
Raymond Rohauer and the Dixon Legacy | |
Filmography | |
Notes | |