American Racist: The Life and Films of Thomas DixonUniversity Press of Kentucky, 10 сент. 2004 г. - Всего страниц: 264 " Thomas Dixon has a notorious reputation as the writer of the source material for D.W. Griffith's groundbreaking and controversial 1915 feature film The Birth of a Nation. Perhaps unfairly, Dixon has been branded an arch-conservative and a racist obsessed with what he viewed as "the Negro problem." As American Racist makes clear, however, Dixon was a complex, multitalented individual who, as well as writing some of the most popular novels of the early twentieth century, was involved in the production of some eighteen films. Dixon used the motion picture as a propaganda tool for his often outrageous opinions on race, communism, socialism, and feminism. His most spectacular production, The Fall of a Nation (1916), argues for American preparedness in the face of war and boasts a musical score by Victor Herbert, making it the first American feature film to have an original score by a major composer. Like the majority of Dixon's films, The Fall of a Nation has been lost, but had it survived, it might well have taken its place alongside The Birth of a Nation as a masterwork of silent film. Anthony Slide examines each of Dixon's films and discusses the novels from which they were adapted. Slide chronicles Dixon's transformation from a major supporter of the original Ku Klux Klan in his early novels to an ardent critic of the modern Klan in his last film, Nation Aflame. American Racist is the first book to discuss Dixon's work outside of literature and provide a wide overview of the life and career of this highly controversial twentieth-century southern populist. Anthony Slide is the author of numerous books, including Silent Players: A Biographical and Autobiographical Study of 100 Silent Film Actors and Actresses. |
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... South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com 08 07 06 05 04 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data Slide, Anthony. American racist : the life and films of Thomas Dixon / Anthony ...
... South, who learned of its history from his father. Griffith heard of the great Civil War battles from his parent, while Dixon was told by his father and his uncle, Colonel Leroy McAfee, how they had helped organize the local Ku Klux ...
... South and its history as was Riefenstahl in her early vindication of Nazi Germany. For Riefenstahl, Nazism was her subject. For Dixon, the South was not merely his subject but his cause. Whether the issues are right or wrong, few ...
... South and the North. Dixon's first biographer, James Zebulon Wright, whose work was never published but in my opinion is the best account, had to admit, “I admire Thomas Dixon more than anything in the world. . . . admire him because ...
... South and The Birth of a Nation. Both can be considered auteurs in an industry where few are worthy of such a title ... South has been perpetuated on screen from the early years of the twentieth century. Dixon's South was the South of ...
Содержание
Southern History on Film | |
The Fall of a Nation | |
The Foolish Virgin and the New Woman | |
The Red Scare | |
Miscegenation | |
Journeyman Filmmaker | |
Nation Aflame | |
The Final Years | |
Raymond Rohauer and the Dixon Legacy | |
Filmography | |
Notes | |