American Racist: The Life and Films of Thomas DixonUniversity Press of Kentucky, 10 сент. 2004 г. - Всего страниц: 264 " Thomas Dixon has a notorious reputation as the writer of the source material for D.W. Griffith's groundbreaking and controversial 1915 feature film The Birth of a Nation. Perhaps unfairly, Dixon has been branded an arch-conservative and a racist obsessed with what he viewed as "the Negro problem." As American Racist makes clear, however, Dixon was a complex, multitalented individual who, as well as writing some of the most popular novels of the early twentieth century, was involved in the production of some eighteen films. Dixon used the motion picture as a propaganda tool for his often outrageous opinions on race, communism, socialism, and feminism. His most spectacular production, The Fall of a Nation (1916), argues for American preparedness in the face of war and boasts a musical score by Victor Herbert, making it the first American feature film to have an original score by a major composer. Like the majority of Dixon's films, The Fall of a Nation has been lost, but had it survived, it might well have taken its place alongside The Birth of a Nation as a masterwork of silent film. Anthony Slide examines each of Dixon's films and discusses the novels from which they were adapted. Slide chronicles Dixon's transformation from a major supporter of the original Ku Klux Klan in his early novels to an ardent critic of the modern Klan in his last film, Nation Aflame. American Racist is the first book to discuss Dixon's work outside of literature and provide a wide overview of the life and career of this highly controversial twentieth-century southern populist. Anthony Slide is the author of numerous books, including Silent Players: A Biographical and Autobiographical Study of 100 Silent Film Actors and Actresses. |
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... Motion Picture Arts and Sciences; Gregory Farmer at Chapman University; the AshevilleBuncombe Library System (Zoe Rhine); Alice L. Birney, American Literature Manuscript Historian at the Library of Congress; Robert Anderson and Helene ...
... collaborator, D.W. Griffith, used that initial production to tell the history of the Civil War and Southern Reconstruction as they believed it to be, so did 2 3 Dixon embrace the motion picture—although he preferred to call it.
... motion picture to influence and arouse its audience. Dixon learned a lesson from his friend and mentor. If the motion picture was to Griffith the “universal language,” to Thomas Dixon it was the “university of man.” He wrote, “The class ...
... motion picture was no mere toy nor just another popular form of entertainment. As he wrote in 1923, “The moving picture man, author and producer and exhibitor should take himself more seriously. He is not merely the purveyor of a form ...
... motion picture, outside of The Birth of a Nation, so he has generally disappeared from view in most critical and broad-based studies of American literature in the twentieth century. His first three novels are dismissed as “unashamedly ...
Содержание
Southern History on Film | |
The Fall of a Nation | |
The Foolish Virgin and the New Woman | |
The Red Scare | |
Miscegenation | |
Journeyman Filmmaker | |
Nation Aflame | |
The Final Years | |
Raymond Rohauer and the Dixon Legacy | |
Filmography | |
Notes | |