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The terrified water-carrier fell on his knees, and| made a full relation of the marvellous manner in which he had gained his wealth. The Alcalde, the alguazil, and the inquisitive barber listened with greedy ears to this Arabian tale of enchanted treasure. The alguazil was despatched to bring the Moor who had assisted in the incantation. The Moslem entered half frightened out of his wits at finding himself in the hands of the harpies of the law. When he beheld the water-carrier standing with sheepish look and downcast countenance, he comprehended the whole matter. "Miserable animal," said he, as he passed near him, "did I not warn thee against babbling to thy wife?"

The story of the Moor coincided exactly with that of his colleague; but the Alcalde affected to be slow of belief, and threw out menaces of imprisonment and rigorous investigation.

"Softly, good Señor Alcalde," said the Mussulman, who by this time had recovered his usual shrewdness and self-possession. "Let us not mar fortune's favours in the scramble for them. Nobody knows any thing of this matter but ourselves; let us keep the secret. There is wealth enough in the cave to enrich us all. Promise a fair division, and all shall be produced; refuse, and the cave shall remain for ever closed."

The Alcalde consulted apart with the alguazil. The latter was an old fox in his profession. Promise any thing," said he, "until you get possession of the treasure. You may then seize upon the whole, and if he and his accomplice dare to murmur, threaten them with the faggot and the stake as infidels and sorcerers."

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The Alcalde relished the advice. Smoothing his brow and turning to the Moor,-"This is a strange story," said he, and may be true, but I must have ocular proof of it. This very night you must repeat the incantation in my presence. If there be really such treasure, we will share it amicably between us, and say nothing further of the matter; if ye have deceived me, expect no mercy at my hands. In the mean time you must remain in custody."

The Moor and the water-carrier cheerfully agreed to these conditions, satisfied that the event would prove the truth of their words.

Towards midnight the Alcalde sallied forth secretly, attended by the alguazil and the meddlesome barber, all strongly armed. They conducted the Moor and the water-carrier as prisoners, and were provided with the stout donkey of the latter, to bear off the expected treasure. They arrived at the tower without being observed, and tying the donkey to a fig-tree, descended into the fourth vault of the

tower.

The scroll was produced, the yellow waxen taper lighted, and the Moor read the form of incantation. The earth trembled as before, and the pavement opened with a thundering sound, disclosing the narrow flight of steps. The Alcalde, the alguazil, and the barber were struck aghast, and could not summon courage to descend. The Moor and the water-carrier entered the lower vault and found the two Moors seated as before, silent and motionless. They removed two of the great jars, filled with golden coin and precious stones. The water-carrier bore them up one by one upon his shoulders, but though a strong-backed little man, and accustomed to carry burdens, he staggered beneath their weight, and found, when slung on each side of his donkey, they were as much as the animal could bear.

Let us be content for the present," said the Moor: "here is as much treasure as we can carry off without being perceived, and enough to make us all wealthy to our heart's desire."

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"And I," said the water-carrier, "will bring up no further burthen to break the back of my poor donkey."

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Finding commands, threats, and entreaties equally vain, the Alcalde turned to his two adherents. Aid me," said he, "to bring up the coffer, and its contents shall be divided between us." So saying he descended the steps, followed, with trembling reluctance, by the alguazil and the barber.

No sooner did the Moor behold them fairly earthed than he extinguished the yellow taper: the pavement closed with its usual crash, and the three worthies remained buried in its womb.

He then hastened up the different flights of steps, nor stopped until in the open air. The little watercarrier followed him as fast as his short legs would permit.

"What hast thou done?" cried Peregil, as soon as he could recover breath. "The Alcalde and the other two are shut up in the vault!

"It is the will of Allah!" said the Moor, de

voutly.

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And will you not release them?" demanded the Gallego.

"Allah forbid !" replied the Moor, smoothing his beard. "It is written in the book of fate that they shall remain enchanted until some future adventurer shall come to break the charm. The will of God be done!" So saying he hurled the end of the waxen taper far among the gloomy thickets of the glen.

There was now no remedy; so the Moor and the water-carrier proceeded with the richly-laden donkey towards the city: nor could honest Peregil refrain from hugging and kissing his long-eared fellowlabourer, thus restored to him from the clutches of the law; and, in fact, it is doubtful which gave the simple-hearted little man most joy at the moment, the gaining of the treasure or the recovery of the donkey.

The two partners in good luck divided their spoil amicably and fairly, excepting that the Moor, who had a little taste for trinketry, made out to get into his heap the most of the pearls and precious stones, and other baubles, but then he always gave the water-carrier in lieu magnificent jewels of massy gold four times the size, with which the latter was heartily content. They took care not to linger within reach of accidents, but made off to enjoy their wealth undisturbed in other countries. The Moor returned into Africa, to his native city of Tetuan, and the Gallego, with his wife, his children and his donkey, made the best of his way to Portugal. Here, under the admonition and tuition of his wife, he became a personage of some consequence, for she made the little man array his long body and short legs in doublet and hose, with a feather in his hat and a sword by his side; and, laying aside the familiar appellation of Peregil, assume the more sonorous title of Don Pedro Gil. His progeny grew up a thriving and merry-hearted, though short and bandylegged generation; while the Senora Gil, be-fringed, be-laced, and be-tasselled from her head to her heels, with glittering rings on every finger, became a model of slattern fashion and finery.

As to the Alcalde, and his adjuncts, they re

mained shut up under the great tower of the fire-arms, which reverberated among the towers as if Seven Floors, and there they remain spell-bound the castle had been taken by surprise. On sally ing at the present day. Whenever there shall be a lack forth I found an old cavalier with a number of in Spain of pimping barbers, sharking alguazils, and domestics in possession of the hall of ambassadors. corrupt Alcaldes, they may be sought after; but He was an ancient Count, who had come up from if they have to wait until such time for their deliver- his palace in Granada to pass a short time in the Alance, there is danger of their enchantment enduring hambra for the benefit of purer air, and who, being until doomsday. a veteran and inveterate sportsman, was endeavouring to get an appetite for his breakfast by shooting at swallows from the balconies. It was a harmless amusement, for though, by the alertness of his attendants in loading his pieces, he was enabled to keep up a brisk fire, I could not accuse him of the death of a single swallow. Nay, the birds themselves seemed to enjoy the sport, and to deride his want of skill, skimming in circles close to the balconies, and twittering as they darted by.

VISITORS TO THE ALHAMBRA.

IT is now nearly three months since I took up my abode in the Alhambra, during which time the progress of the season has wrought many changes. When I first arrived every thing was in the freshness of May; the foliage of the trees was still tender and transparent; the pomegranate had not yet shed its brilliant crimson blossoms; the orchards of the Xenil and the Darro were in full bloom; the rocks were hung with wild flowers, and Granada seemed completely surrounded by a wilderness of roses, among which innumerable nightingales sang, not merely in the night, but all day long.

The advance of summer has withered the rose and silenced the nightingale, and the distant country begins to look parched and sunburnt; though a perennial verdure reigns immediately round the city, and in the deep narrow valleys at the foot of the snow-capped mountains.

The Alhambra possesses retreats graduated to the heat of the weather, among which the most peculiar is the almost subterranean apartment of the baths. This still retains its ancient oriental character, though stamped with the touching traces of decline. At the entrance, opening into a small court formerly adorned with flowers, is a hall, moderate in size, but light and graceful in architecture. It is overlooked by a small gallery supported by marble pillars and moresco arches. An alabaster fountain in the centre of the pavement still throws up a jet of water to cool the place. On each side are deep alcoves with raised platforms, where the bathers after their ablutions reclined on luxurious cushions, soothed to voluptuous repose by the fragrance of the perfumed air and the notes of soft music from the gallery. Beyond this hall are the interior chambers, still more private and retired, where no light is admitted but through small apertures in the vaulted ceilings. Here was the sanctum sanctorum of female privacy, where the beauties of the harem indulged in the luxury of the baths. A soft mysterious light reigns through the place, the broken baths are still there, and traces of ancient elegance.

The prevailing silence and obscurity have made this a favourite resort of bats, who nestle during the day in the dark nooks and corners, and, on being disturbed, flit mysteriously about the twilight chambers, heightening in an indescribable degree their air of desertion and decay.

In this cool and elegant though dilapidated retreat, which has the freshness and seclusion of a grotto, I have of late passed the sultry hours of the day; emerging toward sunset, and bathing, or rather swimming, at night in the great reservoir of the main court. In this way I have been enabled in a measure to counteract the relaxing and enervating influence of the climate.

My dream of absolute sovereignty, however, is at an end: I was roused from it lately by the report of

The arrival of this old gentleman has in some measure changed the aspect of affairs, but has likewise afforded matter for agreeable speculation. We have tacitly shared the empire between us, like the last kings of Granada, excepting that we maintain a most amicable alliance. He reigns absolute over the Court of the Lions and its adjacent halls, while I maintain peaceful possession of the region of the baths and the little garden of Lindaraxa. We take our meals together under the arcades of the court, where the fountains cool the air, and bubbling rills run along the channels of the marble pavement.

In the evening, a domestic circle gathers about the worthy old cavalier. The countess comes up from the city, with a favourite daughter about sixteen years of age. Then there are the official dependents of the Count, his chaplain, his lawyer, his secretary, his steward, and other officers and agents of his extensive possessions. Thus he holds a kind of domestic court, where every person seeks to contribute to his amusement, without sacrificing his own pleasure or self-respect. In fact, whatever may be said of Spanish pride, it certainly does not enter into social or domestic life. Among no people are the relations between kindred more cordial, or between superior and dependent more frank and genial; in these respects there still remains, in the provincial life of Spain, much of the vaunted simplicity of the olden times.

The most interesting member of this family group, however, is the daughter of the Count, the charming though almost infantile little Carmen. Her form has not yet attained its maturity, but has already the exquisite symmetry and pliant grace so prevalent in this country. Her blue eyes, fair complexion, and light hair are unusual in Andalusia, and give a mildness and gentleness to her demeanour, in contrast to the usual fire of Spanish beauty, but in perfect unison with the guileless and confiding innocence of her manners. She has, however, all the innate aptness and versatility of her fascinating country-women, and sings, dances, and plays the guitar and other instruments to admiration. A few days after taking up his residence in the Alhambra, the Count gave a domestic fête on his saint's day, assembling round him the members of his family and household, while several old servants came from his distant possessions to pay their reverence to him, and partake of the good cheer.

This patriarchal spirit which characterized the Spanish nobility in the days of their opulence has declined with their fortunes; but some who, like the Count, still retain their ancient family possessions, keep up a little of the ancient system, and have their estates overrun and almost eaten up by generations of idle retainers. According to this magnificent old Spanish system, in which the national pride and

generosity bore equal parts, a superannuated servant was never turned off, but became a charge for the rest of his days; nay, his children, and his children's children, and often their relations, to the right and left, became gradually entailed upon the family. Hence the huge palaces of the Spanish nobility, which have such an air of empty ostentation from the greatness of their size compared with the mediocrity and scantiness of their furniture, were absolutely required in the golden days of Spain by the patriarchal habits of their possessors. They were little better than vast barracks for the hereditary generations of hangers-on that battened at the expense of a Spanish noble. The worthy Count, who has estates in various parts of the kingdom, assures me that some of them barely feed the hordes of dependents nestled upon them; who consider themselves entitled to be maintained upon the place, rent free, because their forefathers have been so for gencrations.

the domestics, by any other appellation than that of La Niña, "the child," an appellation which thus applied has something peculiarly kind and endearing in the Spanish language.

Never shall I think of the Alhambra without remembering the lovely little Carmen sporting in happy and innocent girlhood in its marble halls; dancing to the sound of the Moorish castanets, or mingling the silver warbling of her voice with the music of the fountains.

On this festive occasion several curious and amusing legends and traditions were told; many of which have escaped my memory; but of those that most struck me, I will endeavour to shape forth some entertainment for the reader.

LEGEND OF PRINCE AHMED AL KAMEL;

OR,

THE PILGRIM OF LOVE.

The domestic fête of the Count broke in upon the usual still life of the Alhambra. Music and laughter resounded through its late silent halls; there were groups of the guests amusing themselves about the galleries and gardens, and officious servants from town hurrying through the courts, bearing viands to the ancient kitchen, which was again alive with the tread of cooks and scullions, and blazed with un-had but one son, whom he named Ahmed, to which wonted fires.

The feast, for a Spanish set dinner is literally a feast, was laid in the beautiful moresco hall called "la sala de las dos Hermanas," (the saloon of the two sisters;) the table groaned with abundance, and a joyous conviviality prevailed round the board; for though the Spaniards are generally an abstemious people, they are complete revellers at a banquet.

For my own part, there was something peculiarly interesting in thus sitting at a feast, in the royal halls of the Alhambra, given by the representative of one of its most renowned conquerors; for the venerable Count, though unwarlike himself, is the lineal descendant and representative of the "Great Captain," the illustrious Gonsalvo of Cordova, whose sword he guards in the archives of his palace at Granada. The banquet ended, the company adjourned to the hall of ambassadors. Here every one contributed to the general amusement by exerting some peculiar talent; singing, improvising, telling wonderful tales, or dancing to that all-pervading talisman of Spanish pleasure, the guitar.

The life and charm of the whole assemblage, however, was the gifted little Carmen. She took her part in two or three scenes from Spanish comedies, exhibiting a charming dramatic talent; she gave imitations of the popular Italian singers, with singular and whimsical felicity, and a rare quality of voice; she imitated the dialects, dances, and ballads of the gipsies and the neighbouring peasantry, but did every thing with a facility, a neatness, a grace, and an all-pervading prettiness, that were perfectly fascinating. The great charm of her performances, however, was their being free from all pretension or ambition of display. She seemed unconscious of the extent of her own talents, and in fact is accustomed only to exert them casually, like a child, for the amusement of the domestic circle. Her observation and tact must be remarkably quick, for her life is passed in the bosom of her family, and she can only have had casual and transient glances at the various characters and traits, brought out impromptu in moments of domestic hilarity, like the one in question. It is pleasing to see the fondness and admiration with which every one of the household regards her: she is never spoken of, even by

THERE was once a Moorish King of Granada who his courtiers added the surname of al Kamel, or the perfect, from the indubitable signs of super-excellence which they perceived in him in his very infancy. The astrologers countenanced them in their foresight, predicting every thing in his favour that could make a perfect prince and a prosperous sovereign. One cloud only rested upon his destiny, and even that was of a roseate hue. He would be of an amorous temperament, and run great perils from the tender passion. If, however, he could be kept from the allurements of love until of mature age, these dangers would be averted, and his life thereafter be one uninterrupted course of felicity.

To prevent all danger of the kind, the king wisely determined to rear the prince in a seclusion, where he should never see a female face nor hear even the name of love. For this purpose he built a beautiful palace on the brow of a hill above the Alhambra, in the midst of delightful gardens, but surrounded by lofty walls; being, in fact, the same palace known at the present day by the name of the Generaliffe. In this palace the youthful prince was shut up and entrusted to the guardianship and instruction of Ebon Bonabbon, one of the wisest and dryest of Arabian sages, who had passed the greatest part of his life in Egypt, studying hieroglyphics and making researches among the tombs and pyramids, and who saw more charms in an Egyptian mummy than in the most tempting of living beauties. The sage was ordered to instruct the prince in all kinds of knowledge but one-he is to be kept utterly ignorant of love-" use every precaution for the purpose you may think proper," said the king, "but remember, oh Ebon Bonabbon, if my son learns aught of that forbidden knowledge, while under your care, your head shall answer for it." A withered smile came over the dry visage of the wise Bonabbon at the menace. "Let your majesty's heart be as easy about your son as mine is about my head. Am I a man likely to give lessons in the idle passion?"

Under the vigilant care of the philosopher, the prince grew up in the seclusion of the palace and its gardens. He had black slaves to attend upon him

hideous mutes, who knew nothing of love, or if they did, had not words to communicate it. His mental endowments were the peculiar care of Ebon Bonabbon, who sought to initiate him into the ab.

struse lore of Egypt, but in this the prince made little progress, and it was soon evident that he had no turn for philosophy.

He was, however, amazingly ductile for a youthful prince; ready to follow any advice and always guided by the last councillor. He suppressed his yawns, and listened patiently to the long and learned discourses of Ebon Bonabbon, from which he imbibed a smattering of various kinds of knowledge, and thus happily attained his twentieth year, a miracle of princely wisdom, but totally ignorant of love.

About this time, however, a change came over the conduct of the prince. He completely abandoned his studies and took to strolling about the gardens and musing by the side of the fountains. He had been taught a little music among his various accomplishments; it now engrossed a great part of his time, and a turn for poetry became apparent. The sage Ebon Bonabbon took the alarm, and endeavoured to work these idle humours out of him by a severe course of algebra; but the prince turned from it with distaste. "I cannot endure algebra," said he; "it is an abomination to me. I want something that speaks more to the heart."

The sage Ebon Bonabbon shook his dry head at the words. "Here's an end to philosophy," thought he. "The prince has discovered he has a heart!" He now kept anxious watch upon his pupil, and saw that the latent tenderness of his nature was in activity, and only wanted an object. He wandered about the gardens of the Generaliffe in an intoxication of feelings of which he knew not the cause. Sometimes he would sit plunged in a delicious reverie; then he would seize his lute and draw from it the most touching notes, and then throw it aside, and break forth into sighs and ejaculations.

By degrees this loving disposition began to extend to inanimate objects; he had his favourite flowers which he cherished with tender assiduity; then he became attached to various trees, and there was one in particular, of a graceful form and drooping foliage, on which he lavished his amorous devotion, carving his name on its bark, hanging garlands on its branches, and singing couplets in its praise, to the accompaniment of his lute.

The sage Ebon Bonabbon was alarmed at this excited state of his pupil. He saw him on the very brink of forbidden knowledge-the least hint might reveal to him the fatal secret. Trembling for the safety of the prince, and the security of his own head, he hastened to draw him from the seductions of the garden, and shut him up in the highest tower of the Generaliffe. It contained beautiful apartments, and commanded an almost boundless prospect, but was elevated far above that atmosphere of sweets and those witching bowers so dangerous to the feelings of the too susceptible Ahmed.

What was to be done, however, to reconcile him to this restraint and to beguile the tedious hours? He had exhausted almost all kinds of agreeable knowledge; and algebra was not to be mentioned. Fortunately Ebon Bonabbon had been instructed, when in Egypt, in the language of birds, by a Jewish Rabbin, who had received it in lineal transmission from Solomon the wise, who had been taught it by the Queen of Sheba. At the very mention of such a study the eyes of the prince sparkled with animation, and he applied himself to it with such avidity, that he soon became as great an adept as his master.

The tower of the Generaliffe was no longer a solitude; he had companions at hand with whom he could converse. The first acquaintance he formed was with a hawk who built his nest in a crevice of the lofty battlements, from whence he soared far and wide in quest of prey. The prince, however, found

little to like or esteem in him. He was a mere pirate of the air, swaggering and boastful, whose talk was all about rapine, and carnage, and desperate exploits.

His next acquaintance was an owl, a mighty wiselooking bird, with a large head and staring eyes, who sat blinking and goggling all day in a hole in the wall, but roamed forth at night. He had great pretensions to wisdom; talked something of astrology and the moon, and hinted at the dark sciences, but he was grievously given to metaphysics, and the prince found his prosings were more ponderous than those of the sage Ebon Bonabbon.

Then there was a bat, that hung all day by his heels in the dark corner of a vault, but sallied out in a slip-shod style at twilight. He, however, had but twilight ideas on all subjects, derided things of which he had taken but an imperfect view, and seemed to take delight in nothing.

Beside these there was a swallow, with whom the prince was at first much taken. He was a smart talker, but restless, bustling, and for ever on the wing; seldom remaining long enough for any continued conversation. He turned out in the end to be a mere smatterer, who did but skim over the surface of things, pretending to know every thing, but knowing nothing thoroughly.

These were the only feathered associates with whom the prince had any opportunity of exercising his newly acquired language; the tower was too high for any other birds to frequent it. He soon grew weary of his new acquaintances, whose conversation spake so little to the head and nothing to the heart; and gradually relapsed into his loneliness. A winter passed away, spring opened with all its bloom, and verdure, and breathing sweetness, and the happy time arrived for birds to pair and build their nests. Suddenly, as it were, a universal burst of song and melody broke forth from the groves and gardens of the Generaliffe, and reached the prince in the solitude of his tower. From every side he heard the same universal theme-love-love — love — chaunted forth and responded to in every variety of note and tone. The prince listened in silence and perplexity. "What can be this love," thought he, "of which the world seems so full, and of which I know nothing? He applied for information to his friend the hawk. The ruffian bird answered in a tone of scorn,-" You must apply," said he, to the vulgar, peaceable birds of earth, who are made for the prey of us princes of the air. My trade is war, and fighting my delight. In a word, I am a warrior, and know nothing of this thing called love."

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The prince turned from him with disgust, and sought the owl in his retreat. "This is a bird," said he, "of peaceful habits, and may be able to solve my question." So he asked the owl to tell him what was this love about which all the birds in the groves below were singing.

Upon this the owl put on a look of offended dignity. "My nights," said he, are taken up in study and research, and my days in ruminating in my ce" upon all that I have learnt. As to these singing birds of whom you talk, I never listen to them. I despise them and their themes. Allah be praised, I cannot sing. In a word, I am a philosopher, and know nothing of this thing called love."

The prince now repaired to the vault where his friend the bat was hanging by the heels, and propounded the same question. The bat wrinkled up his nose into a most snappish expression. "Why do you disturb me in my morning's nap with such an idie question," said he peevishly. "I only fly by twilight when all birds are asleep, and never trouble myself with their concerns. I am neither bird nor

beast, and I thank heaven for it. I have found out | ber was open to admit the soft morning breeze which the villainy of the whole of them, and hate them, one came laden with the perfume of orange blossoms and all. In a word, I am a misanthrope, and know nothing of this thing called love."

As a last resort, the prince now sought the swallow, and stopped him just as he was circling about the summit of the tower. The swallow as usual was in a prodigious hurry, and had scarce time to make a reply. "Upon my word," said he, "I have so much public business to attend to, and so many pursuits to follow, that I have had no time to think on the subject. I have every day a thousand visits to pay; a thousand affairs of importance to examine into, that leave me not a moment of leisure for these little sing-song matters. In a word, I am a citizen of the world. I know nothing of this thing called love." So saying, the swallow dived into the valley and was out of sight in a moment.

from the valley of the Darro. The voice of the nightingale was faintly heard, still chanting the wonted theme. As the prince was listening and sighing, there was a sudden rushing noise in the air; a beautiful dove, pursued by a hawk, darted in at the window and fell panting on the floor; while the pursuer, balked of his prey, soared off to the mountains. The prince took up the gasping bird, smoothed its feathers, and nestled it in his bosom. When he had soothed it by his caresses he put it in a golden cage, and offered it, with his own hands, the whitest and finest of wheat and the purest of water. The bird, however, refused food, and sat drooping and pining, and uttering piteous moans.

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'What aileth thee?" said Ahmed. "Hast thou not every thing thy heart can wish? The prince remained disappointed and perplexed, "Alas, no!" replied the dove, "am I not sepabut with his curiosity still more piqued by the diffi-rated from the partner of my heart-and that too in culty of gratifying it. While in this mood his ancient the happy spring-time-the very season of love?" guardian entered the tower. The prince advanced eagerly to meet him. "Oh sage Ebon Bonabbon," cried he, "thou hast revealed to me much of the wisdom of the earth, but there is one thing of which I remain in utter ignorance, and would fain be informed."

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The sage Ebon Bonabbon was struck as with a thunderbolt. He trembled and turned pale, and felt as if his head sat but loosely on his shoulders.

"What could suggest such a question to my prince? - where could he have learnt so idle a word?"

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"Of love!" echoed Ahmed. "I pray thee, my pretty bird, canst thou then tell me what is love?" "Too well can I, my prince. It is the torment of one, the felicity of two, the strife and enmity of three. It is a charm which draws two beings together, and unites them by delicious sympathies, making it happiness to be with each other, but misery to be apart. Is there no being to whom you are drawn by these ties of tender affection?"

"I like my old teacher, Ebon Bonabbon, better than any other being; but he is often tedious, and I occasionally feel myself happier without his society."

"That is not the sympathy I mean. I speak of love, the great mystery and principle of life; the intoxicating revel of youth; the sober delight of age Look forth, my prince, and behold how at this blest season all nature is full of love. Every created being The prince led him to the window of the tower. has its mate; the most insignificant bird sings to its Listen, oh Ebon l'onabbon!" said he. The sage paramour; the very beetle woos its lady beetle in the listened. The nightingale sat in a thicket below the dust, and yon butterflies which you see fluttering high tower singing to his paramour, the rose; from every above the tower and toying in the air are happy in blossomed spray and tufted grove arose a strain of each other's love. Alas, my prince! hast thou melody, and love-love-love, was still the unvary-spent so many of the precious days of youth without ing theme. "Allah Achbar! God is great!" exclaimed the wise Bonabbon. "Who shall pretend to keep this secret from the hearts of men when even the birds of the air conspire to betray it?"

Then turning to Ahmed, "Oh my prince," cried he, "shut thine ears to these seductive strains. Close thy mind against this dangerous knowledge. Know that this love is the cause of half the ills of wretched mortality. It is this which produces bitterness of strife between brethren and friends; which causes treacherous murder and desolating war. Care and sorrow, weary days and sleepless nights, are its attendants. It withers the bloom and blights the joys of youth, and brings on the ills and griefs of premature old age. Allah preserve thee, my prince, in total ignorance of this thing called love!'

The sage Ebon Bonabbon hastily retired, leaving the prince plunged in still deeper perplexity. It was in vain he attempted to dismiss the subject from his mind; it still continued uppermost in his thoughts, and teased and exhausted him with vain conjectures. "Surely," said he to himself as he listened to the tuneful strains of the birds, "there is no sorrow in those notes: every thing seems tenderness and joy. If love be a cause of such wretchedness and strife, why are not these birds drooping in solitude, or tearing each other in pieces, instead of fluttering cheerfully about the groves, or sporting with each other among the flowers?"

knowing any thing of love! Is there no gentle being of another sex; no beautiful princess, or lovely damsel who has ensnared your heart, and filled your bosom with a soft tumult of pleasing pains and tender wishes?

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"I begin to understand!" said the prince sighing. "Such a tumult I have more than once experienced without knowing the cause; and where should I seek for an object such as you describe in this dismal solitude?

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A little further conversation ensued, and the first amatory lesson of the prince was complete. Alas!" said he, if love be indeed such a delight, and its interruption such a misery, Allah forbid that I should mar the joy of any of its votaries." He opened the cage, took out the dove, and, having fondly kissed it, carried it to the window. "Go. happy bird," said he, "rejoice with the partner of thy heart in the days of youth and spring-time. Why should I make thee a fellow prisoner in this dreary tower, where love can never enter?"

The dove flapped its wings in rapture, gave one vault into the air, and then swooped downward on whistling wings to the blooming bowers of the Darro.

The prince followed him with his eyes, and then gave way to bitter repining. The singing of the birds which once delighted him now added to his bitterness. Love! love! love! Alas, poor youth, he now understood the strain.

He lay one morning on his couch meditating on His eyes flashed fire when next he beheld the sage this inexplicable matter. The window of his cham-Bonabbon. Why hast thou kept me in this abject

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