Reason and Horror: Critical Theory, Democracy and Aesthetic IndividualityRoutledge, 23 нояб. 2004 г. - Всего страниц: 300 Morton Schoolman develops a fascinating and entirely new interpretation of the work of Horkenheimer and Adorno. |
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Reason and Horror: Critical Theory, Democracy, and Aesthetic Individuality Morton Schoolman Ограниченный просмотр - 2001 |
Reason and Horror: Critical Theory, Democracy and Aesthetic Individuality Morton Schoolman Ограниченный просмотр - 2004 |
Reason and Horror: Critical Theory, Democracy, and Aesthetic Individuality Morton Schoolman Ограниченный просмотр - 2001 |
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Adorno’s aesthetic aesthetic form aesthetic individuality aesthetic rationality aesthetic reason aesthetic receptivity aesthetic sensibility aesthetic theory Apollinian argue argument aristocratic artist the creator Attic tragedy become different believe Birth of Tragedy critique culture DAII Democracy in America democracy’s democratic individuality democratic society Dialectic of Enlightenment Dionysian diversity of differences Enlightenment’s equality of condition ethic of appearances expression Fascism fathomless formal rationality formal reason forms of representation genealogical Hegel Horkheimer and Adorno Ibid idea illusion in-itself individual’s individuality’s aesthetic individuality’s creativity Kant’s Leaves of Grass meaning and value metaphorical mimetic modern moral mystery myth nature nature’s Negative Dialectics Nietzsche Nietzsche’s nonidentity object Odysseus Odysseus’s one’s orientation Passage to India passion for equality poetry possibilities process of enlightenment receptivity to difference reconciliation reflection relationship represents self-creativity small differences Song surfaces and depths thinking thought Tocqueville Tocqueville’s universal unknown violence Whitman Whitman’s poetic forms words