Mulattas and Mestizas: Representing Mixed Identities in the Americas, 1850-2000University of Georgia Press, 25 февр. 2010 г. - Всего страниц: 280 In this broadly conceived exploration of how people represent identity in the Americas, Suzanne Bost argues that mixture has been central to the definition of race in the United States, Mexico, and the Caribbean since the nineteenth century. Her study is particularly relevant in an era that promotes mixed-race musicians, actors, sports heroes, and supermodels as icons of a "new" America. Bost challenges the popular media's notion that a new millennium has ushered in a radical transformation of American ethnicity; in fact, this paradigm of the "changing" face of America extends throughout American history. Working from literary and historical accounts of mulattas, mestizas, and creoles, Bost analyzes a tradition, dating from the nineteenth century, of theorizing identity in terms of racial and sexual mixture. By examining racial politics in Mexico and the United States; racially mixed female characters in Anglo-American, African American, and Latina narratives; and ideas of mixture in the Caribbean, she ultimately reveals how the fascination with mixture often corresponds to racial segregation, sciences of purity, and white supremacy. The racism at the foundation of many nineteenth-century writings encourages Bost to examine more closely the subtexts of contemporary writings on the "browning" of America. Original and ambitious in scope, Mulattas and Mestizas measures contemporary representations of mixed-race identity in the United States against the history of mixed-race identity in the Americas. It warns us to be cautious of the current, millennial celebration of mixture in popular culture and identity studies, which may, contrary to all appearances, mask persistent racism and nostalgia for purity. |
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... African- and Euro-American descent, writes about the “mulatto millennium” on the horizon of popular culture: “Strange to wake up and realize you're in style. That's what happened to me just the other morning. It was the first day of the ...
... African, indigenous, and European heritage describes race dynamics throughout the Americas as a whole. Carole Boyce Davies's study of women's writing of the African diaspora, Black Women, Writing, and Identity, borrows formulations of ...
... African women by men of European descent. These rapes continue as a dominant theme in the work of mestiza writers. For example, in her poem “I Was Not Supposed to Remember,” Moraga claims, I was not supposed to remember being she the ...
... African and Spanish heritages, were already racially mixed) as well as national, cultural, linguistic, and gendered identities.8 This work is thus international, interracial, intercategorical, interhistorical, and interdisciplinary ...
... African-American literature, one can trace mixtures of African, British, and U.S. cultural practices. MexicanAmerican writers strategically invoke Spanish, English, or both to suit different political needs. Mulattoes and mestizos ...
Содержание
1 | |
18 | |
Creoles and Color | 88 |
The Transitive Bi | 130 |
Millennial Mixtures | 183 |
Epilogue | 211 |
Notes | 213 |
Bibliography | 241 |
Index | 261 |
Другие издания - Просмотреть все
Mulattas and Mestizas: Representing Mixed Identities in the Americas, 1850-2000 Suzanne Bost Ограниченный просмотр - 2010 |
Mulattas and Mestizas: Representing Mixed Identities in the Americas, 1850-2000 Suzanne Bost Ограниченный просмотр - 2003 |
Mulattas and Mestizas: Representing Mixed Identities in the Americas, 1850-2000 Suzanne Bost Ограниченный просмотр - 2005 |