Gendering Orientalism: Race, Femininity and Representation

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Psychology Press, 1996 - Всего страниц: 267

In contrast to most cultural histories of imperialism, which analyse Orientalist images of rather than by women, Gendering Orientalism focuses on the contributions of women themselves. Drawing on the little-known work of Henriette Browne, other `lost' women Orientlist artists and the literary works of George Eliot, Reina Lewis challenges masculinist assumptions relating to the stability and homogeneity of the Orientalist gaze.
Gendering Orientalism argues that women did not have a straightforward access to an implicitly nale position of western superiority, Their relationship to the shifting terms of race, nation and gender produced positions from which women writers and artists could articulate alternative representations of racial difference. It is this different, and often less degrading, gaze on the Orientalized `Other' that is analysed in this book. By revealing the extent of women's involvement in the popular field of visual Orientalism and highlighting the presence of Orientalist themes in the work of Browne, Eliot and Charlotte Bronte, reina Lewis uncovers women's roles in imperial culture and discourse.
Gendering Orientalism will appeal to students, lecturers and researchers in cultural studies, literature, art history, women's studies and anthropology.

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Professional opportunities for women in art
53
1
76
67
83
the establishment of Brownes artistic
97
Orientalism in the visual arts
109
97
126
Henriette Browne
127
write about the harem
144
The problematic authority of the female Orientalist gaze
178
George Eliots
191
Gendering Orientalism
236
Select bibliography
242
Index
259
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Об авторе (1996)

Reina Lewis is Senior Lecturer in the Department of Cultural Studies at the University of East London.

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