Gendering Orientalism: Race, Femininity and RepresentationPsychology Press, 1996 - Всего страниц: 267 In contrast to most cultural histories of imperialism, which analyse Orientalist images of rather than by women, Gendering Orientalism focuses on the contributions of women themselves. Drawing on the little-known work of Henriette Browne, other `lost' women Orientlist artists and the literary works of George Eliot, Reina Lewis challenges masculinist assumptions relating to the stability and homogeneity of the Orientalist gaze. Gendering Orientalism argues that women did not have a straightforward access to an implicitly nale position of western superiority, Their relationship to the shifting terms of race, nation and gender produced positions from which women writers and artists could articulate alternative representations of racial difference. It is this different, and often less degrading, gaze on the Orientalized `Other' that is analysed in this book. By revealing the extent of women's involvement in the popular field of visual Orientalism and highlighting the presence of Orientalist themes in the work of Browne, Eliot and Charlotte Bronte, reina Lewis uncovers women's roles in imperial culture and discourse. Gendering Orientalism will appeal to students, lecturers and researchers in cultural studies, literature, art history, women's studies and anthropology. |
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Содержание
Professional opportunities for women in art | 53 |
1 | 76 |
67 | 83 |
the establishment of Brownes artistic | 97 |
Orientalism in the visual arts | 109 |
97 | 126 |
Henriette Browne | 127 |
write about the harem | 144 |
The problematic authority of the female Orientalist gaze | 178 |
George Eliots | 191 |
Gendering Orientalism | 236 |
242 | |
259 | |
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Gendering Orientalism: Race, Femininity and Representation Reina Lewis Недоступно для просмотра - 2017 |
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active anti-Semitism argues Art Journal Bonheur Britain British Browne's paintings century challenge Charlotte Brontë Christian codes colonial Constantinople construction critics cultural Daniel Deronda Deborah Cherry display domestic East emphasizes English Woman's Journal Europe European exhibited fantasy feminine Feminism feminist fiction figures France French Gallery Gautier gender genre Gentile George Eliot George Henry Lewes Gérôme harem Henriette Browne identity ideology images imperial Interiors Jean-Léon Gérôme Jerichau-Baumann Jewish Jews Judaism Lady literary literature London male Melek-Hanum Melman moral narrative nineteenth nineteenth-century novel nuns Oil on canvas Oriental women Orientalist Orientalist discourse Orientalist paintings Orientalist subjects Plate political produced race racial readers relation religious representation represented role Rosa Bonheur Routledge Said-Ruete Said's Salon scenes Sephardi sexual Sisters of Charity social Sophie Anderson Sotheby's Théophile Gautier tion Turkish University Press Victorian visual whilst woman Woman's Journal women artists women writers Women's Orients writing