The silver lamp; the fiery spirits blaze: 120 New stratagems, the radiant Lock to gain. 125 But when to mischief mortals bend their will, A thousand wings by turns blow back the hair; near. Just in that instant, anxious Ariel sought 140 The close recesses of the virgin's thought; 123. See Ovid, Metam. viii. — POPE. As on the nosegay in her breast reclin'd, The Peer now spreads the glitt'ring forfex wide, T' inclose the Lock; now joins it, to divide. Ev'n then, before the fatal engine clos'd, 150 A wretched Sylph too fondly interpos'd; Fate urg'd the shears, and cut the Sylph in twain (Put airy substance soon unites again): The meeting points the sacred hair dissever From the fair head, for ever, and for ever! 155 Then flash'd the living lightning from her eyes, And screams of horror rend th' affrighted skies. Not louder shrieks to pitying heav'n are cast, When husbands, or when lapdogs breathe their last; Or when rich China vessels fall'n from high, 160 In glittering dust and painted fragments lie! "Let wreaths of triumph now my temples twine," The victor cried; "the glorious prize is mine! While fish in streams, or birds delight in air, Or in a coach and six the British Fair, 135 As long as Atalantis shall be read, 152. Pope, in a note, refers us to the following passage: — 163-170. "But the ethereal substance closed, Not long divisible; and from the gash Paradise Lost, vi. 330-334 "Dum juga montis aper, fluvios dum piscis amabit, 165. Atalantis was a notorious book written by a notorious and consisted mainly of scandal and scurrility. woman, Or the small pillow grace a lady's bed; While visits shall be paid on solemn days, When num'rous waxlights in bright order blaze ; While nymphs take treats, or assignations give, 17 So long my honor, name, and praise shall live! What Time would spare, from Steel receives its date, And monuments, like men, submit to fate! What wonder then, fair nymph! thy hair should feel The conqu'ring force of unresisted steel?" CANTO IV. BUT anxious cares the pensive nymph oppress'd, 10 As thou, sad virgin! for thy ravish'd hair. For, that sad moment when the Sylphs withdrew 176, 177. "Quid faciant crines, cum ferro talia cedant?" Catullus, de Com. Berenice. -WARD. "At regina gravi jamdudum saucia cura Eneid, iv. 1.— POPE. And Ariel weeping from Belinda flew, Swift on his sooty pinions flits the Gnome, Pain at her side, and Megrim at her head. 25 Two handmaids wait the throne; alike in place, But diff'ring far in figure and in face. Here stood Ill-nature like an ancient maid, Her wrinkled form in black and white array'd; With store of pray'rs for mornings, nights, and noons, 30 Her hand is fill'd; her bosom with lampoons. There Affectation, with a sickly mien, Shows in her cheek the roses of eighteen, 24. "The megrims" and "the vapors" (line 59) were fashionable terms in Queen Anne's day for what we call "the blues." Or bright as visions of expiring maids: Now glaring fiends, and snakes on rolling spires, Pale spectres, gaping tombs, and purple fires; 45 Now lakes of liquid gold, Elysian scenes, And crystal domes, and angels in machines. Unnumber'd throngs on every side are seen, Of bodies chang❜d to various forms by Spleen. Here living Tea-pots stand, one arm held out, 50 One bent; the handle this, and that the spout; A Pipkin there, like Homer's tripod, walks; Here sighs a Jar, and there a Goose-pie talks ; Men prove with child, as pow'rful fancy works, And maids turn'd bottles call aloud for corks. Safe pass'd the Gnome thro' this fantastic band, A branch of healing spleenwort in his hand. Then thus address'd the pow'r -- “ Hail, wayward Queen! 55 Who rule the sex to fifty from fifteen ; 65 A nymph there is, that all thy pow'r disdains, Like citron-waters matrons' cheeks inflame, 70 Or change complexions at a losing game; 51. See Iliad, xviii. 372-381. 52. A goose-pie talks. Alludes to a real fact; a lady of distinc tion imagined herself in this condition. - POPE. 69. Citron-waters, spirits distilled from citron-rind. |