for I will enshrine her in a crystal dome of my tropic seas.' This city therefore, like a mighty galleon with all her apparel mounted, streamers flying, and tackling perfect, seems floating along the noiseless depths of ocean; and oftentimes in glassy calms, through the translucid atmosphere of water that now stretches like an air-woven awning above the silent encampment, mariners from every clime look down into her courts and terraces, count her gates, and number the spires of her churches. She is one ample cemetery, and has been for many a year; but in the mighty calms that brood for weeks over tropic latitudes, she fascinates the eye with a Fata Morgana revelation as of human life still subsisting, in submarine asylums sacred from the storms that torment our upper air.

Thither, lured by the loveliness of cerulean depths, by the peace of human dwellings privileged from molestation, by the gleam of marble altars sleeping in everlasting sanctity, oftentimes in dreams did I and the Dark Interpreter cleave the watery veil that divided us from her streets. We looked into the belfries, where the pendulous bells were waiting in vain for the summons which should awaken their marriage peals; together we touched the mighty organ keys, that sang no jubilates for the ear of Heaven, that sang no requiems for the ear of human sorrow; together we searched the silent nurseries, where the children were all asleep, and had been asleep through five generations. "They are waiting for the heavenly dawn," whispered the Interpreter to himself: " and when that comes, the bells and the organs will utter a jubilate repeated by the echoes of Paradise." Then turning to me he said: "This is sad, this is piteous; but less would not have sufficed for the purpose of God. Look here. Put into a Roman clepsydra one hundred drops of water; let these run out as the sands in an hour-glass, every drop measuring the hundredth part of a second, so that each shall represent but the three-hundred-and-sixty-thousandth part of an hour. Now count the drops as they race along; and when the fiftieth of the hundred is passing, behold! forty-nine are not, because already they have perished; and fifty are not, because yare yet to come. You see therefore how narrow, how incalbly narrow, is the true and actual present. Of that time ch we call the present, hardly a hundredth part but belongs er to a past which has fled, or to a future which is still on wing. I has perished, or it is not born. It was, or it is

not. Yet even this approximation to the truth is infinitely false. For again subdivide that solitary drop, which only was found to represent the present, into a lower series of similar fractions, and the actual present which you arrest measures now but the thirtysix-millionth of an hour; and so by infinite declensions the true and very present, in which only we live and enjoy, will vanish into a mote of a mote, distinguishable only by a heavenly vision. Therefore the present, which only man possesses, offers less capacity for his footing than the slenderest film that ever spider twisted from her womb. Therefore also even this incalculable shadow from the narrowest pencil of moonlight is more transitory than geometry can measure, or thought of angel can overtake. The time which is, contracts into a mathematic point; and even that point perishes a thousand times before we can utter its birth. All is finite in the present; and even that finite is infinite in its velocity of flight towards death. But in God there is nothing finite; but in God there is nothing transitory; but in God there can be nothing that tends to death. Therefore it follows that for God there can be no present. The future is the present of God, and to the future it is that he sacrifices the human present. Therefore it is that he works by earthquake. Therefore it is that he works by grief. Oh, deep is the plowing of earthquake! Oh, deep"- (and his voice swelled like a sanctus rising from the choir of a cathedral)- "Oh, deep is the plowing of grief! But oftentimes less would not suffice for the agriculture of God. Upon a night of earthquake he builds a thousand years of pleasant habitations for man. Upon the sorrow of an infant he raises oftentimes from human intellects glorious. vintages that could not else have been. Less than these fierce plowshares would not have stirred the stubborn soil. The one is needed for earth, our planet,- for earth itself as the dwellingplace of man; but the other is needed yet oftener for God's mightiest instrument,-yes" (and he looked solemnly at myself), "is needed for the mysterious children of the earth!"

VIII-287

B

THE BISHOP OF BEAUVAIS AND JOAN OF ARC

From Miscellaneous Essays'

ISHOP OF BEAUVAIS! thy victim died in fire upon a scaffold thou upon a down bed. But for the departing minutes of life, both are oftentimes alike. At the farewell crisis, when the gates of death are opening, and flesh is resting from its struggles, oftentimes the tortured and torturer have the same truce from carnal torment; both sink together into sleep; together both, sometimes, kindle into dreams. When the mortal mists were gathering fast upon you two, bishop and shepherd girl,— when the pavilions of life were closing up their shadowy curtains about you, let us try, through the gigantic glooms, to decipher the flying features of your separate visions.

The shepherd girl that had delivered France-she from her dungeon, she from her baiting at the stake, she from her duel with fire, as she entered her last dream saw Domrémy, saw the fountain of Domrémy, saw the pomp of forests in which her childhood had wandered. That Easter festival which man had denied to her languishing heart, that resurrection of springtime which the darkness of dungeons had intercepted from her, hungering after the glorious liberty of forests, were by God given back into her hands, as jewels that had been stolen from her by robbers. With those, perhaps (for the minutes of dreams can stretch into ages), was given back to her by God the bliss of childhood. By special privilege, for her might be created in this farewell dream, a second childhood, innocent as the first; but not, like that, sad with the gloom of a fearful mission in the rear. The mission had now been fulfilled. The storm was weathered, the skirts even of that mighty storm were drawing off. The blood that she was to reckon for had been exacted; the tears that she was to shed in secret had been paid to the last. The hatred to herself in all eyes had been faced steadily, had been suffered, had been survived.

Bishop of Beauvais! because the guilt-burdened man is in dreams haunted and waylaid by the most frightful of his crimes; and because upon that fluctuating mirror, rising from the fens of death, most of all are reflected the sweet countenances which the man has laid in ruins; therefore I know, bishop, that you also, entering your final dream, saw Domrémy. That fountain of which the witnesses spoke so much, showed itself to your eyes in pure morning dews; but neither dews nor the holy

dawn could cleanse away the bright spots of innocent blood upon its surface. By the fountain, bishop, you saw a woman seated, that hid her face. But as you draw near, the woman raises her wasted features. Would Domrémy know them again for the features of her child? Ah, but you know them, bishop, well! Oh mercy! what a groan was that which the servants, waiting outside the bishop's dream at his bedside, heard from his laboring heart, as at this moment he turned away from the fountain and the woman, seeking rest in the forests afar off. Yet not so to escape the woman, whom once again he must behold before he dies. In the forests to which he prays for pity, will he find a respite? What a tumult, what a gathering of feet is there! In glades where only wild deer should run, armies and nations are assembling; towering in the fluctuating crowd are phantoms that belong to departed hours. There is the great English Prince, Regent of France. There is my lord of Winchester, the princely cardinal that died and made no sign. There is the Bishop of Beauvais, clinging to the shelter of thickets. What building is that which hands so rapid are raising? Is it a martyr's scaffold? Will they burn the child of Domrémy a second time? No; it is a tribunal that rises to the clouds; and two nations stand around it, waiting for a trial. Shall my Lord of Beauvais sit upon the judgment seat, and again number the hours for the innocent? Ah! no; he is the prisoner at the bar. Already all is waiting; the mighty audience is gathered, the Court are hurrying to their seats, the witnesses are arrayed, the trumpets are sounding, the judge is taking his place. Oh! but this is sudden. My lord, have you no counsel ?— "Counsel I have none; in heaven above, or on earth beneath, counselor there is none now that would take a brief from me; all are silent." Is it indeed come to this? Alas! the time is short, the tumult is wondrous, the crowd stretches away into infinity; but yet I will search in it for somebody to take your brief: I know of somebody that will be your counsel. Who is this that cometh from Domrémy? Who is she in bloody coronation robes from Rheims ? Who is she that cometh with blackened flesh from walking the furnaces of Rouen? This is she, the shepherd girl, counselor that had none for herself, whom I choose, bishop, for yours. She it is, I engage, that shall take my lord's brief. She it is, bishop, that would plead for you: yes, bishop, SHE-when heaven and earth are silent.

PAUL DÉROULÈDE

(1846-)

AUL DÉROULÈDE received his education in Paris, where he was born. In accordance with the wishes of his friends, he was educated for the law; but before even applying for admission to the bar he yielded to the poetic instinct that had been strong in him since boyhood, and began, under the name of Jean Rebel, to send verses to the Parisian periodicals. When only twenty-three years of age he wrote for the Académie Française a one-act drama in verse, 'Juan Strenner,' which however was not a success. The

PAUL DÉROULÈDE

outbreak of the Franco-Prussian war in the same year roused his martial spirit; he enlisted, and at once entered active service, in which he distinguished himself by acts of signal bravery. A wound near the close of the hostilities took him from the field; and it was during the retirement thus enforced that he wrote the lyrics, Songs of the Soldier,' that first made him famous throughout his native country.

Not since the days of the 'Marseillaise' had the fighting spirit of the French people found such sympathetic expression; his songs were read and sung all over the country; they received the highest honor of the Academy, and their popularity continued after peace was declared, nearly one hundred and fifty editions having been exhausted up to 1895. Déroulède now devoted himself to literature and politics. 'New Songs of the Soldier' and a volume of Songs of the Peasant,' almost as popular as the war songs, were interspersed with two more dramatic works, also in verse, one of which, 'L'Hetman,' was received on the stage with great favor. A cantata, Vive la France,' written in 1880, was set to music by Gounod. He also wrote a novel and some treatises dealing with armies and fighting, but his prose works did not attract much attention.

Déroulède's best verses are distinguished for their inspiration and genuine enthusiasm. Careless of form and finish, not always stopping to make sure of his rhymes or perfect his metre, he gave the freest vent to his emotions. Some of the heart-glow which makes