board, drinking nothing but water on shore-without shelter, without means-surrounded by hostile tribes. Shut now the volume of history, and tell me, on any principle of human probability, what shall be the fate of this handful of adventurers? Tell me, man of military science, in how many months were they all swept off by the thirty savage tribes enumerated within the early limits of New England? Tell me, politician, how long did this shadow of a colony, on which your conventions and treaties had not smiled, languish on the distant coast? Student of history, compare for me the baffled projects, the deserted settlements, the abandoned adventures of other times, and find the parallel of this. Was it the winter's storm beating upon the houseless heads of women and children; was it hard labor and spare meals; was it disease; was it the tomahawk; was it the deep malady of a blighted hope, a ruined enterprise and a broken heart, aching in its last moments at the recollection of the loved and left beyond the sea; was it some or all of these united that hurried this forsaken company to their melancholy fate? And is it possible that neither of these causes, that not all combined were able to blast this bud of hope? Is it possible that from a beginning so feeble, so frail, so worthy, not so much of admiration as of pity, there has gone forth a progress so steady, a growth so wonderful, a reality so important, a promise, yet to be fulfilled, so glorious? THE BRICKLAYERS. G. H. BARNES. [Speak these lines with energy and vim.] "Ho, to the top of the towering wall!” To the scaffolding boys. Now merrily climb; Out with your saw-tempered blades of steel! Music with labor and art combine; Cheery as crickets all the day long, Climbing and climbing still nearer the sun; Prouder than kings of the work they have done! Upward and upward the bricklayers go, Till men are but children and pigmies below; While the master's order falls ringing and short To the staggering carrier, “Mort—oh, mort!” Clink! clink! trowel and brick! Music with labor and art combine; Brick upon brick, lay them up quick; But lay to the line, boys; lay to the line! Who are the peers of the best in the land- Work by the master's word and sign But lay to the line, boys; lay to the line!" THE INDEPENDENT FARMER. W. W. FOSDICK. Let sailors sing the windy deep; And round his cottage porch is seen When banks of bloom their sweetness yield He drives his team across the field Where skies are soft and sunny. The blackbird clucks behind his plough, The gray old barn, whose doors enfold To him the spring comes dancing gay, He cares not how the world may move, His little flock are link'd in love, And household angels round him; He trusts in God and loves his wife, Nor grief nor ill may harm her; TO LABOR IS TO PRAY. FRANCES S. OSGOOD. [Boldly and spiritedly.] Pause not to dream of the future before us; Unintermitting, goes up into Heaven! Never the ocean wave falters in flowing; "Labor is worship!" the robin is singing; Speaks to thy soul from out Nature's great heart. Only man, in the plan, shrinks from his part Labor is life! 'Tis the still water faileth; Keep the watch wound, for the dark rust assaileth Only the waving wing changes and brightens; Play the sweet keys, would'st thou keep them in tune! Labor is rest from the sorrows that greet us, Rest from world-sirens, that lure us to ill. Labor is health! Lo! the husbandman reaping, Temple and statue the marble block hides. Droop not, though shame, sin and anguish are round thee; Bravely fling off the cold chain that hath bound thee! Look to yon pure heaven smiling beyond thee; Rest not content in thy darkness--a clod! Work for some good, be it ever so slowly; Cherish some flower, be it ever so lowly; Labor-all labor is noble and holy; Let thy great deeds be thy prayer to thy God! LITTLE JERRY, THE MILLER. J. G. SAXE. [Tenderly and expressively.] Beneath the hill you may see the mill |