Walt Whitman's Leaves of GrassOxford University Press, 15 апр. 2005 г. - Всего страниц: 184 As featured in AMC's Breaking Bad, given by Gale Boetticher to Walter White and discovered by Hank Schrader. "I celebrate myself, And what I assume you shall assume, For every atom belonging to me as good belongs to you. I loafe and invite my soul, I lean and loafe at my ease....observing a spear of summer grass." So begins Leaves of Grass, the first great American poem and indeed, to this day, the greatest and most essentially American poem in all our national literature. The publication of Leaves of Grass in July 1855 was a landmark event in literary history. Ralph Waldo Emerson judged the book "the most extraordinary piece of wit and wisdom America has yet contributed." Nothing like the volume had ever appeared before. Everything about it--the unusual jacket and title page, the exuberant preface, the twelve free-flowing, untitled poems embracing every realm of experience--was new. The 1855 edition broke new ground in its relaxed style, which prefigured free verse; in its sexual candor; in its images of racial bonding and democratic togetherness; and in the intensity of its affirmation of the sanctity of the physical world. This Anniversary Edition captures the typeface, design and layout of the original edition supervised by Whitman himself. Today's readers get a sense of the "ur-text" of Leaves of Grass, the first version of this historic volume, before Whitman made many revisions of both format and style. The volume also boasts an afterword by Whitman authority David Reynolds, in which he discusses the 1855 edition in its social and cultural contexts: its background, its reception, and its contributions to literary history. There is also an appendix containing the early responses to the volume, including Emerson's letter, Whitman's three self-reviews, and the twenty other known reviews published in various newspapers and magazines. This special volume will be a must-have keepsake for fans of Whitman and lovers of American poetry. |
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Стр. v
... master him , he masters it . High up out of reach he stands turning a con- centrated light ... he turns the pivot with his finger ... he baffles the swiftest runners as he stands and easily overtakes and en- velops them . The time ...
... master him , he masters it . High up out of reach he stands turning a con- centrated light ... he turns the pivot with his finger ... he baffles the swiftest runners as he stands and easily overtakes and en- velops them . The time ...
Стр. vii
... master the trust of everything he touches .... and shall master all attachment . The known universe has one complete lover and that is the greatest poet . He consumes an eternal passion and is indif- ferent which chance happens and ...
... master the trust of everything he touches .... and shall master all attachment . The known universe has one complete lover and that is the greatest poet . He consumes an eternal passion and is indif- ferent which chance happens and ...
Стр. viii
... masters of the artists of all nations and times . You shall not contemplate the flight of the graygull over the bay or the mettle- some action of the blood horse or the tall leaning of sunflowers on their stalk or the appearance of the ...
... masters of the artists of all nations and times . You shall not contemplate the flight of the graygull over the bay or the mettle- some action of the blood horse or the tall leaning of sunflowers on their stalk or the appearance of the ...
Стр. ix
... master here and everywhere , Master of the spasms of the sky and of the shatter of the sea , Master of nature and passion and death , And of all terror and all pain . The American bards shall be marked for generosity and affection and ...
... master here and everywhere , Master of the spasms of the sky and of the shatter of the sea , Master of nature and passion and death , And of all terror and all pain . The American bards shall be marked for generosity and affection and ...
Стр. x
... master ... spoilt in one principle all is spoilt . The great master has nothing to do with miracles . He sees health for himself in being one of the mass .... he sees the hiatus in singular emi- nence . To the perfect shape comes com ...
... master ... spoilt in one principle all is spoilt . The great master has nothing to do with miracles . He sees health for himself in being one of the mass .... he sees the hiatus in singular emi- nence . To the perfect shape comes com ...
Содержание
Leaves of Grass | 1 |
Afterword | 85 |
Reviews of the 1855 Edition of Leaves of Grass | 107 |
Ralph Waldo Emersons Letter to Walt Whitman | 161 |
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African Americans Alfred Tennyson American animals artist b'hoy bard blood body Bowery Boy breath Brooklyn Daily Brooklyn Daily Eagle called child Collected Prose corpse dark death divine doughfaces earth edition of Leaves Emerson Emory Holloway equally eternal expression Extract eyes face feel George Lippard give greatest poet hand head hear heaven human Junius Brutus Booth kosmos Leaves of Grass less lines literature live look lover master mother nation nature neck never night pass passion perfect person poems poetic Poetry and Collected political corruption politics preface present Press quotations Ralph Waldo Emerson readers rest roughs slave sleep Song soul spirit stand stars style things thought transcendentalist Traubel truth verse voice volume wait walk Walt Whitman Whitman in Camden woman women wonderful words writing York York Daily young
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Remembered Self: Emotion and Memory in Personality Jefferson A. Singer,Peter Salovey Недоступно для просмотра - 2010 |