A Manual of English Literature, Historical and Critical: With an Appendix on English MetresGinn, 1876 - Всего страниц: 549 |
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Стр. 12
... lines from an Anglo - Saxon book , as a specimen of their language . While they lived in Germany , and for the first hundred and fifty years after they landed in England , we do not know that the Angles and Saxons wrote any books : if ...
... lines from an Anglo - Saxon book , as a specimen of their language . While they lived in Germany , and for the first hundred and fifty years after they landed in England , we do not know that the Angles and Saxons wrote any books : if ...
Стр. 13
... lines , arranged in couplets , were short , each containing two accents ; and the general rule was , that two accented syllables in the first line of each couplet , and one accented syllable in the second line , should all begin with ...
... lines , arranged in couplets , were short , each containing two accents ; and the general rule was , that two accented syllables in the first line of each couplet , and one accented syllable in the second line , should all begin with ...
Стр. 22
... lines , and is , as Byron would have said , not so much poetry as " prose run mad ; " in proof of which , let these lines suffice :" Hic Jon Oldcastel Christi fuit insidiator , Amplectens hæreses , in scelus omne ruens ; Fautor perfidiæ ...
... lines , and is , as Byron would have said , not so much poetry as " prose run mad ; " in proof of which , let these lines suffice :" Hic Jon Oldcastel Christi fuit insidiator , Amplectens hæreses , in scelus omne ruens ; Fautor perfidiæ ...
Стр. 32
... lines , and about three thousand six hundred out of the eighteen thousand lines which form Jean de Meun's continuation . 66 The poems classed under the third period are marked by the influence of Italian literature . " Troylus and ...
... lines , and about three thousand six hundred out of the eighteen thousand lines which form Jean de Meun's continuation . 66 The poems classed under the third period are marked by the influence of Italian literature . " Troylus and ...
Стр. 36
... lines , of two or four accents . It is written throughout with a didactic purpose , which often appears in the form of special satire on particular classes or professions . Abuses in religion , and the malpractices of ecclesiastics ...
... lines , of two or four accents . It is written throughout with a didactic purpose , which often appears in the form of special satire on particular classes or professions . Abuses in religion , and the malpractices of ecclesiastics ...
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admiration appeared beautiful called cause century character chief Church close considered contains continued criticism death described divine Dryden edition England English Essay fall famous feeling French genius give given hand head human influence interest Italy John kind king known land language Latin learning less letters light lines literary literature live Lord manner means metre Milton mind moral nature never object original passage period persons philosophy plays poem poet poetry political Pope portion present principal produced prose published reason reign rhyming Roman satire says seems sense Shakspeare short society spirit story style success taken thing thou thought tion tragedy translation true turn verse whole writing written wrote
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Стр. 403 - All nature is but art, unknown to thee ; All chance, direction, which thou canst not see ; All discord, harmony not understood ; All partial evil, universal good : And, spite of pride, in erring reason's spite, One truth is clear, Whatever is, is right.
Стр. 369 - Here thou, great ANNA ! whom three realms obey, Dost sometimes counsel take — and sometimes tea.
Стр. 327 - Heaven lies about us in our infancy. Shades of the prison-house begin to close Upon the growing boy; But he beholds the light and whence it flows, He sees it in his joy. The youth who daily farther from the East Must travel, still is Nature's priest, And, by the vision splendid, Is on his way attended. At length the man perceives it die away And fade into the light of common day.
Стр. 426 - Delightful task! to rear the tender thought, To teach the young idea how to shoot, To pour the fresh instruction o'er the mind, To breathe the' enlivening spirit, and to fix The generous purpose in the glowing breast.
Стр. 446 - FEAR no more the heat o' the sun, Nor the furious winter's rages; Thou thy worldly task hast done, Home art gone, and ta'en thy wages. Golden lads and girls all must, As chimney-sweepers, come to dust. Fear no more the frown o' the great; Thou art past the tyrant's stroke; Care no more to clothe and eat; To thee the reed is as the oak. The sceptre, learning, physic, must All follow this, and come to dust. Fear no more the lightning-flash, Nor the all-dreaded thunder-stone; Fear not slander, censure...
Стр. 449 - The breath whose might I have invoked in song Descends on me ; my spirit's bark is driven Far from the shore, far from the trembling throng Whose sails were never to the tempest given ; The massy earth and sphered skies are riven ! I am borne darkly, fearfully, afar ; Whilst burning through the inmost veil of Heaven, The soul of Adonais, like a star, Beacons from the abode where the Eternal are.
Стр. 415 - A daring pilot in extremity, Pleased with the danger, when the waves went high, He sought the storms ; but, for a calm unfit, Would steer too nigh the sands to boast his wit. Great wits are sure to madness near allied And thin partitions do their bounds divide; Else, why should he, with wealth and honour blest, Refuse his age the needful hours of rest?
Стр. 387 - Arthure, before he was king, the image of a brave knight, perfected in the twelve private morall vertues, as Aristotle hath devised...
Стр. 448 - EVEN such is time, that takes in trust Our youth, our joys, our all we have, And pays us but with earth and dust; Who, in the dark and silent grave, When we have wandered all our ways, Shuts up the story of our days; But from this earth, this grave, this dust, My God shall raise me up, I trust!
Стр. 356 - Two of far nobler shape, erect and tall, Godlike erect, with native honour clad In naked majesty, seem'd lords of all ; And worthy seem'd : for in their looks divine The image of their glorious Maker shone, Truth, wisdom, sanctitude severe and pure, Severe, but in true filial freedom...