The Works of William Mason, Том 3T. Cadell and W. Davies, 1811 |
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Стр. 16
... imitating that ex- cellent painter in his colouring , as he did Caracci in his design . About the year 1653 , he went with Mignard to Venice , and travelled throughout Lombardy ; and during his stay in that city painted a Venus for ...
... imitating that ex- cellent painter in his colouring , as he did Caracci in his design . About the year 1653 , he went with Mignard to Venice , and travelled throughout Lombardy ; and during his stay in that city painted a Venus for ...
Стр. 84
... imitation of given patterns before the theory of art can be felt . Thus we shall become acquainted with the necessities of the art , and the very great want of theory , the sense of which want can alone lead us to take pains to acquire ...
... imitation of given patterns before the theory of art can be felt . Thus we shall become acquainted with the necessities of the art , and the very great want of theory , the sense of which want can alone lead us to take pains to acquire ...
Стр. 101
... imitating an imitation , and often a false or exaggerated imitation . Note XXIV . Verse 181 . Fair in the front , in all the blaze of light , The hero of thy piece should meet the sight . R. There can be no doubt that this figure should ...
... imitating an imitation , and often a false or exaggerated imitation . Note XXIV . Verse 181 . Fair in the front , in all the blaze of light , The hero of thy piece should meet the sight . R. There can be no doubt that this figure should ...
Стр. 117
... imitation in this branch of the art . Titian , Paul Veronese , and Tintoret , were among the first painters who reduced to a system what was before practised without any fixed principle , and consequently neglected occasionally . From ...
... imitation in this branch of the art . Titian , Paul Veronese , and Tintoret , were among the first painters who reduced to a system what was before practised without any fixed principle , and consequently neglected occasionally . From ...
Стр. 120
... imitating be considered in this light , to ascer- tain the quantity of warm , and the quantity of cold colours . The predominant colours of the picture ought to be of a warm mellow kind , red or yellow ; and no more cold colour should ...
... imitating be considered in this light , to ascer- tain the quantity of warm , and the quantity of cold colours . The predominant colours of the picture ought to be of a warm mellow kind , red or yellow ; and no more cold colour should ...
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Accent admirable Albert Durer Andrea Andrea Sacchi Anthem antient Antwerp appear Artist atque Author Bagnacavallo beauty called Caracci charms Chaunt Church Music colours Composer composition Correggio defect detto Discant Domenichino drapery Essay expression figures forms Francesco Fresnoy genius Giacomo Giottino Giov Girolamo give grace Guercino Guido harmony History Bologna idea imitated instrument invention kind Landsc light and shade Ludovico Carracci manner master Melody ment Michael Angelo mind mode modern Nature noble Note ornamental Painter Paris passions Paul Brill Paul Veronese perfect performed picture Pietro Pietro Perugino pleasing poem Poet poetical Poetry Portraits practice principal produce Prospero Fontana Psalmody Psalms quæ Raffaelle reader Rome Rubens rules shadows Simon Vouet singing solemn Studied under Excelled style syllable taste thing tion Titian tragedy translation true Udina Venice Verse Virgil Vocal whole words
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Стр. 29 - Viselli : 105 est modus in rebus, sunt certi denique fines, quos ultra citraque nequit consistere rectum.
Стр. 306 - Anon they move In perfect phalanx to the Dorian mood Of flutes and soft recorders...
Стр. 302 - The interim of unsweating themselves regularly and convenient rest before meat may both with profit and delight be taken up in recreating and composing their travailed spirits with the solemn and divine harmonies of music, heard or learned either while the skilful organist plies his grave and fancied descant in lofty fugues or the whole symphony with artful and unimaginable touches adorn and grace the well-studied chords of some choice composer — sometimes the lute or soft organ-stop waiting on...
Стр. 189 - After all, it is a good thing to laugh at any rate ; and if a straw can tickle a man, it is an instrument of happiness.
Стр. 205 - Otway possessed this part as thoroughly as any of the ancients or moderns. I will not defend every thing in his Venice Preserved; but I must bear this testimony to his memory, that the passions are truly touched in it, though, perhaps there is somewhat to be desired both in the grounds of them, and in the height and elegance of expression ; but nature is there, which is the greatest beauty.
Стр. 23 - The tuneful page with speaking picture charm. What to the ear sublimer rapture brings, That strain alone the genuine Poet sings ; That form alone where glows peculiar grace, The genuine Painter condescends to trace : 10 No sordid theme will verse or paint admit, Unworthy colours, if unworthy wit.
Стр. 197 - ... incidents which are foreign to his poem, and are naturally no parts of it : they are wens, and other excrescences, which belong not to the body, but deform it. No person, no incident in the piece or in the play, but must be of use to carry on the main design. All things else are like six fingers to the hand, when nature, which is superfluous in nothing, can do her work with five. " A Painter must reject all trifling ornaments ;" — so must a Poet refuse all tedious and unnecessary descriptions.
Стр. 204 - Jupiter ;" and, to speak in the same heathen language, we call it the gift of our Apollo, not to be obtained by pains or study, if we are not born to it : for the motions which are studied are never so natural as those which break out in the height of a real passion. Mr. Otway possessed this part as thoroughly as any of the antients or moderns.
Стр. 220 - Oh lasting as those colours may they shine, Free as thy stroke, yet faultless as thy line, New graces yearly like thy works display, Soft without weakness, without glaring gay ; Led by some rule that guides, but not constrains ; And finish 'd more through happiness than pains.
Стр. 3 - SHADWELL'S barren head, The Bard oppress'd, yet not subdued by fate, For very bread descended to translate : And he, whose fancy, copious as his phrase, Could light at will expression's brightest blaze^ On Fresnoy's lay...