The Works of William Mason, Том 3T. Cadell and W. Davies, 1811 |
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Стр. 8
... manner , that " his poem has succeeded with such persons as could bear to read Latin verse , not of the Augustan age . " This is the criticism of a mere Poet . Nobody , I should suppose , NOTE . Du Frenoi ( Charles ) né à Paris 1611 ...
... manner , that " his poem has succeeded with such persons as could bear to read Latin verse , not of the Augustan age . " This is the criticism of a mere Poet . Nobody , I should suppose , NOTE . Du Frenoi ( Charles ) né à Paris 1611 ...
Стр. 30
... manners , forms , and age ; 1 Nor paint conspicuous on the foremost plain Whate'er is false , impertinent , or vain ; 115 120 Illa quidem priùs ingenuis instructa sororum Artibus Aonidum , et Phœbi sublimior æstu . m Quærendasque inter ...
... manners , forms , and age ; 1 Nor paint conspicuous on the foremost plain Whate'er is false , impertinent , or vain ; 115 120 Illa quidem priùs ingenuis instructa sororum Artibus Aonidum , et Phœbi sublimior æstu . m Quærendasque inter ...
Стр. 82
... manner I was able , but necessarily with some periphrasis , I consulted a learned friend upon it , who was pleased to approve the version , and to elucidate the text in the following manner : " Cognita " ( the things known ) , in line ...
... manner I was able , but necessarily with some periphrasis , I consulted a learned friend upon it , who was pleased to approve the version , and to elucidate the text in the following manner : " Cognita " ( the things known ) , in line ...
Стр. 88
... manner best accommodated to his art , though wholly borrowed from Poets , Historians , or popular tradition . For this purpose he has full as much to do , and perhaps more , than if the very story was in- vented : for he is bound to ...
... manner best accommodated to his art , though wholly borrowed from Poets , Historians , or popular tradition . For this purpose he has full as much to do , and perhaps more , than if the very story was in- vented : for he is bound to ...
Стр. 89
... manners , forms , and age . Though the Painter borrows his subject , he considers his art as not subservient to any other . His business is something more than assisting the Historian with ex- planatory figures : as soon as he takes it ...
... manners , forms , and age . Though the Painter borrows his subject , he considers his art as not subservient to any other . His business is something more than assisting the Historian with ex- planatory figures : as soon as he takes it ...
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Accent admirable Albert Durer Andrea Andrea Sacchi Anthem antient Antwerp appear Artist atque Author Bagnacavallo beauty called Caracci charms Chaunt Church Music colours Composer composition Correggio defect detto Discant Domenichino drapery Essay expression figures forms Francesco Fresnoy genius Giacomo Giottino Giov Girolamo give grace Guercino Guido harmony History Bologna idea imitated instrument invention kind Landsc light and shade Ludovico Carracci manner master Melody ment Michael Angelo mind mode modern Nature noble Note ornamental Painter Paris passions Paul Brill Paul Veronese perfect performed picture Pietro Pietro Perugino pleasing poem Poet poetical Poetry Portraits practice principal produce Prospero Fontana Psalmody Psalms quæ Raffaelle reader Rome Rubens rules shadows Simon Vouet singing solemn Studied under Excelled style syllable taste thing tion Titian tragedy translation true Udina Venice Verse Virgil Vocal whole words
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Стр. 29 - Viselli : 105 est modus in rebus, sunt certi denique fines, quos ultra citraque nequit consistere rectum.
Стр. 306 - Anon they move In perfect phalanx to the Dorian mood Of flutes and soft recorders...
Стр. 302 - The interim of unsweating themselves regularly and convenient rest before meat may both with profit and delight be taken up in recreating and composing their travailed spirits with the solemn and divine harmonies of music, heard or learned either while the skilful organist plies his grave and fancied descant in lofty fugues or the whole symphony with artful and unimaginable touches adorn and grace the well-studied chords of some choice composer — sometimes the lute or soft organ-stop waiting on...
Стр. 189 - After all, it is a good thing to laugh at any rate ; and if a straw can tickle a man, it is an instrument of happiness.
Стр. 205 - Otway possessed this part as thoroughly as any of the ancients or moderns. I will not defend every thing in his Venice Preserved; but I must bear this testimony to his memory, that the passions are truly touched in it, though, perhaps there is somewhat to be desired both in the grounds of them, and in the height and elegance of expression ; but nature is there, which is the greatest beauty.
Стр. 23 - The tuneful page with speaking picture charm. What to the ear sublimer rapture brings, That strain alone the genuine Poet sings ; That form alone where glows peculiar grace, The genuine Painter condescends to trace : 10 No sordid theme will verse or paint admit, Unworthy colours, if unworthy wit.
Стр. 197 - ... incidents which are foreign to his poem, and are naturally no parts of it : they are wens, and other excrescences, which belong not to the body, but deform it. No person, no incident in the piece or in the play, but must be of use to carry on the main design. All things else are like six fingers to the hand, when nature, which is superfluous in nothing, can do her work with five. " A Painter must reject all trifling ornaments ;" — so must a Poet refuse all tedious and unnecessary descriptions.
Стр. 204 - Jupiter ;" and, to speak in the same heathen language, we call it the gift of our Apollo, not to be obtained by pains or study, if we are not born to it : for the motions which are studied are never so natural as those which break out in the height of a real passion. Mr. Otway possessed this part as thoroughly as any of the antients or moderns.
Стр. 220 - Oh lasting as those colours may they shine, Free as thy stroke, yet faultless as thy line, New graces yearly like thy works display, Soft without weakness, without glaring gay ; Led by some rule that guides, but not constrains ; And finish 'd more through happiness than pains.
Стр. 3 - SHADWELL'S barren head, The Bard oppress'd, yet not subdued by fate, For very bread descended to translate : And he, whose fancy, copious as his phrase, Could light at will expression's brightest blaze^ On Fresnoy's lay...