The Literary Works of Sir Joshua Reynolds ...: Containing His Discourses, Papers in the Idler, the Journal of a Tour Through Flanders and Holland, and Also His Commentary on Du Fresnoy's Art of Painting, Том 3T. Cadell and W. Davies, 1819 |
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Стр. 106
... ; Correggio used to say , C'havea i suoi dessegni nella stremità dè penneli . The method of Rubens was to sketch his composition in colours , with all the parts more determined than sketches generally are ; from $ 106 NOTES ON.
... ; Correggio used to say , C'havea i suoi dessegni nella stremità dè penneli . The method of Rubens was to sketch his composition in colours , with all the parts more determined than sketches generally are ; from $ 106 NOTES ON.
Стр. 107
... composition ; the transferring that design to the canvass ; and the finishing or retouching the whole . If for dispatch the Artist looks out for assistance , it is in the middle stage only he can receive it ; the first and last oper ...
... composition ; the transferring that design to the canvass ; and the finishing or retouching the whole . If for dispatch the Artist looks out for assistance , it is in the middle stage only he can receive it ; the first and last oper ...
Стр. 108
... composition , or the putting the whole together , and the disposition of every in- dividual part , but likewise the management of the back - ground , the effect of light and shadow , and the attitude of every figure or animal that is ...
... composition , or the putting the whole together , and the disposition of every in- dividual part , but likewise the management of the back - ground , the effect of light and shadow , and the attitude of every figure or animal that is ...
Стр. 110
... would allow great latitude in introducing animals , or whatever they might think necessary , to contrast or make the composition more picturesque , we . can no longer wonder why the Poet has thought it I I 110 NOTES ON.
... would allow great latitude in introducing animals , or whatever they might think necessary , to contrast or make the composition more picturesque , we . can no longer wonder why the Poet has thought it I I 110 NOTES ON.
Стр. 125
... Composition to too great a uniformity . It is sufficient , if the place he holds , or the attention of the other figures to him , denote him the hero of the piece . The principal figure may be too principal . The harmony of composition ...
... Composition to too great a uniformity . It is sufficient , if the place he holds , or the attention of the other figures to him , denote him the hero of the piece . The principal figure may be too principal . The harmony of composition ...
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The Literary Works of Sir Joshua Reynolds ...: Containing His Discourses ... Joseph Farington,Edmond Malone,Dr Joshua Reynolds, Sir Недоступно для просмотра - 2016 |
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admirable Æneas Aged Principal Albert Durer ancient Andrea Antonio Antwerp Apelles appear ART OF PAINTING Artist atque Bagnacavallo beauty called canvass Caracci Caravaggio charms colorum colours composition Correggio detto Domenichino Domenico drapery expression figures finishing forms Francesco Fresnoy Fresnoy's genius Giacomo Giottino Giov Giovanni Girolamo give glow grace Guercino Guido hand hero History Bologna History Florence History idea Il Bronzino imitated judgement Landsc light and shade Ludovico Carracci manner Master Membra Michael Angelo mind Muse nature noble NOTE Painted Country Painter Paris Parma passions Paul Brill Paul Veronese perfect Perin del Vaga picture piece Pietro Pietro Perugino pleasing Poem Poet Poetry Portraits precept Prospero Fontana quæ Quæque Rafaëlle Raffaelle Rome Rubens rules shadow Sienna Studied under Excelled style tabula taste things thro Tintoret tints tion Titian Tragedy translation true Udina Venice Veronese VERSE Virgil whole Zeuxis
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Стр. 269 - Preserved; but I must bear this testimony to his memory, that the passions are truly touched in it, though, perhaps there is somewhat to be desired both in the grounds of them, and in the height and elegance of expression ; but nature is there, which is the greatest beauty.
Стр. 247 - After all, it is a good thing to laugh at any rate ; and if a straw can tickle a man, it is an instrument of happiness.
Стр. 5 - Let friendship, as she caused, excuse the deed ; With thee, and such as thee, she must succeed. But what if fashion tempted Pope astray? The witch has spells, and Jervas knew a day, When mode-struck belles and beaux were proud to come, And buy of him a thousand years of bloom. Even then I deem it but a venal crime ; Perish alone that selfish sordid rhyme, Which flatters lawless sway, or tinsel pride ; Let black oblivion plunge it in her tide.
Стр. 254 - ... since a true knowledge of nature gives us pleasure, a lively imitation of it, either in poetry or painting, must of necessity produce a much greater: for both these arts . . . are not only true imitations of nature, but of the best nature, of that which is wrought up to a nobler pitch.
Стр. 288 - Helen thy Bridgewater vie, And these be sung till Granville's Myra die ; Alas ! how little from the grave we claim ! Thou but preserv'st a face, and I a name.
Стр. 286 - Fir'd with ideas of fair Italy. With thee on Raphael's monument I mourn, Or wait inspiring dreams at Maro's urn : With thee repose where Tully once was laid, Or seek some ruin's formidable shade. While fancy brings the vanish'd piles to view, And builds imaginary Rome anew...
Стр. 72 - The portrait claims from imitative art Resemblance close in each minuter part, 540 And this to give, the ready hand and eye With playful skill the kindred features ply ; From part to part alternately convey The harmonizing gloom, the darting ray, With tones so just, in such gradation thrown, 545 Adopting Nature owns the work her own. 0 Say, is the piece thy hand prepares to trace Ordain'd for nearer sight, or narrow space ? Paint it of soft and amicable hue : But, if predestin'd to remoter view...
Стр. 27 - The tuneful page with speaking picture charm. What to the ear sublimer rapture brings, That strain alone the genuine Poet sings ; That form alone where glows peculiar grace, The genuine Painter condescends to trace : 10 No sordid theme will verse or paint admit, Unworthy colours, if unworthy wit.
Стр. 148 - I took a leaf of my pocket-book, and darkened every part of it in the same gradation of light and shade as the picture, leaving the white paper untouched to represent the light, and this without any attention to the subject ,or to the drawing of the figures.
Стр. 149 - ... on every side, it will appear as if inlaid on its ground. Such a blotted paper, held at a distance from the eye, will strike the spectator as something excellent for the disposition of light and shadow, though he does not distinguish whether it is a history, a portrait, a landscape, dead game, or any thing else ; for the same principles extend to every branch of the art. Whether I have given an exact account, or made a just division of the quantity of light admitted into the works of those painters,...