Sanctuary Cinema: Origins of the Christian Film IndustryNYU Press, 12 февр. 2007 г. - Всего страниц: 303 Winner of the Religious Communication Association Book of the Year Award for 2008 |
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Origins of the Christian Film Industry Terry Lindvall. Contents. Acknowledgments Introduction 1 1 The Brazen Serpent 2 Sanctuary Cinema 3 Divine Shows 117 4 Better Films Conclusion: Film as Religion Notes Bibliography Index About the ...
... films that flooded the market. Chapter 4 details the nonsectarian business of making, distributing, and exhibiting nontheatrical religious films and chronicles both the quest for better pictures and the eventual decline of religious ...
... films lacked an edge. They belonged in the more respectable and dignified ... better trace the significant cultural roles played by the church and ... films. In the political forefront of the Temperance, Sabbatarian, and uplift movements ...
... better understand twentieth-century religious responses to film.20 The first historical challenge for making sense of religious communication resided in the image/icon as a visible means of communication. As the image would form the ...
... improved, duplex, dissolving stereopticons widely, had encouraged the idea.144 His son, George Kleine, imported outstanding religious films, including the Italian Quo Vadis. The theatrical magnate zealously urged the integration of films ...
Содержание
2 | |
16 | |
56 | |
Divine Shows | 118 |
Better Films | 180 |
Film as Religion | 204 |
Notes | 226 |
Bibliography | 294 |
Index | 298 |