Sanctuary Cinema: Origins of the Christian Film IndustryNYU Press, 12 февр. 2007 г. - Всего страниц: 303 Winner of the Religious Communication Association Book of the Year Award for 2008 |
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... Lindvall, incarnate images of God's faithfulness and loving kindness, and who wisely made me go to church a lot—where, sometimes, they showed movies. Contents Acknowledgments Introduction 1 1 The Brazen Serpent 2 Sanctuary.
... God. One enduring characteristic of this tribal people's art may well be that it strikes a popular art industry as artless: rough, unpolished, unsophisticated, even kitschy, suggesting a stubbornly peculiar mind set: “It may be bad art ...
... God and mammon are cooperating in fruitful joint ventures.8 But these strange bedfellows began negotiating their relations at the beginning of the previous century. Our first task is to define (and limit) the objects of our study ...
... new audiences, of instructing and entertaining their congregations, and of exploiting nontheatrical films to serve the Kingdom of God and their parishes. The moving picture emerged as the paramount amusement industry of 6 | Introduction.
... God. Of all the groups, the Methodists demonstrated the greatest institutional enthusiasm for film, culminating in their 1919 Centenary in Columbus, Ohio, which would erupt into a revival of church-based motion picture exhibition ...
Содержание
2 | |
16 | |
56 | |
Divine Shows | 118 |
Better Films | 180 |
Film as Religion | 204 |
Notes | 226 |
Bibliography | 294 |
Index | 298 |