Sanctuary Cinema: Origins of the Christian Film IndustryNYU Press, 12 февр. 2007 г. - Всего страниц: 303 Winner of the Religious Communication Association Book of the Year Award for 2008 |
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... Gospels, Cicero with the Apostles?” Trained as a classical rhetorician, Jerome suffered a vision in which he was called before divine judgment and condemned as more of a Ciceronian than a Christian. In a strangely parallel experience ...
... Gospel message. It was a powerful force in both promoting and shaping the new medium and in using the technology to draw in adherents and spur social change even as the burgeoning field of mass media in turn shaped the methods and ...
... Gospel message, particularly situated in a Protestant tradition that historically opted for the word over the image. Thus my overarching inquiry focuses upon the impact of silent moving pictures on Protestant churches during the early ...
... church was as likely to use films as the more liberal, modern churches. The positive reception of film marked both groups as they envisioned grand opportunities to animate the messages of the Gospel for personal salvation Introduction | 7.
... Gospel for personal salvation or for social reform, respectively. Yet coincidentally, religious leaders envisioned the possibilities of the religious film just as exhibitors and critics found such tableau features as From the Manger to ...
Содержание
2 | |
16 | |
56 | |
Divine Shows | 118 |
Better Films | 180 |
Film as Religion | 204 |
Notes | 226 |
Bibliography | 294 |
Index | 298 |