Sanctuary Cinema: Origins of the Christian Film IndustryNYU Press, 12 февр. 2007 г. - Всего страниц: 303 Winner of the Religious Communication Association Book of the Year Award for 2008 |
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... holy and bawdy subjects, we have gathered faithfully as fellow Christians and friends. Foremost are dear friends, Andrew and Juliet Quicke, coauthors of a sequel to this volume, Sermons on Celluloid. Through the tumults of university ...
... holy work? Would technological inventions, distribution and exhibition practices, and the politics of egos contribute to the church's place in society? The early-twentieth-century church recognized the growing importance of the visual ...
... holy places to show and make suitable films. It aspired to create a Sanctuary Cinema that would reflect its spiritual and moral ideals and enhance its mission to a public slipping away into a mass culture of silent dreams. Whether ...
... holy a story: [To] these pictures there can be no objection. One might as well object to the illustrations of Dore and other artists in the large quarto Bibles. Intensely realistic they are, and it is this feature which gives them ...
... holy from their art. This friction calls into question the entire visual basis of the craft of filmmaking, and finds its theological argument from church history. Reformers Ulrich Zwingli and John Calvin, for example, disputed 22 | The ...
Содержание
2 | |
16 | |
56 | |
Divine Shows | 118 |
Better Films | 180 |
Film as Religion | 204 |
Notes | 226 |
Bibliography | 294 |
Index | 298 |