Sanctuary Cinema: Origins of the Christian Film IndustryNYU Press, 12 февр. 2007 г. - Всего страниц: 303 Winner of the Religious Communication Association Book of the Year Award for 2008 |
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... Protestant filmmaking—the era of silent films. Remarkably, as we will see, the church functioned as one of the most visionary and effective nontheatrical agencies in the country, experimenting with shows to attract crowds, succor youth ...
... Protestant film industries as inclusion of early Roman Catholic activity would require a bigger book. My task here ... Protestant tradition that historically opted for the word over the image. Thus my overarching inquiry focuses upon the ...
... Protestant churches partnered with the new technology of moving pictures to achieve their mission of attracting new audiences, of instructing and entertaining their congregations, and of exploiting nontheatrical films to serve the ...
... Protestant themes of sin, repentance, and conversion, creedal beliefs shared by many middle-class audiences in the ... Protestants, but they were quickly surpassed by imaginative independents from an assimilated Jewish heritage, whose ...
... Protestant denominations had welcomed precursors of the moving pictures, with lantern shows given at Methodist, Episcopal, and Lutheran churches and panoramas exhibited for Presbyterian and Baptist congregations.19 The progressive ...
Содержание
2 | |
16 | |
56 | |
Divine Shows | 118 |
Better Films | 180 |
Film as Religion | 204 |
Notes | 226 |
Bibliography | 294 |
Index | 298 |