Sanctuary Cinema: Origins of the Christian Film IndustryNYU Press, 12 февр. 2007 г. - Всего страниц: 303 Winner of the Religious Communication Association Book of the Year Award for 2008 |
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... screen presentation of so holy a story: [To] these pictures there can be no objection. One might as well object to the illustrations of Dore and other artists in the large quarto Bibles. Intensely realistic they are, and it is this ...
... screen. Church and Theater Nineteenth-century Congregationalist minister Henry Ward Beecher attacked those Christians who attended the theater, telling one popular tale of a Christian boy attending the theater who was kidnapped by the ...
... screen was more acceptable to the church than was its ancient root, the stage. As we have seen, underlying the Christian film industry is an ambivalent, even schizophrenic, relation of faith to art and culture. We have traced the ...
... screen images of the Grand Canyon or Niagara Falls and praise the wonders of God in His created world.101 The intimate and fecund connection between art and religion was transplanted from the Hudson River School to many of those who ...
... screen, or at least one could see where God had walked. Finding an aura of holiness ensconced within the image, the classic Protestant tendency toward iconoclasm gave way to an aesthetic of sympathetic identification and even to a cult ...
Содержание
2 | |
16 | |
56 | |
Divine Shows | 118 |
Better Films | 180 |
Film as Religion | 204 |
Notes | 226 |
Bibliography | 294 |
Index | 298 |