Sanctuary Cinema: Origins of the Christian Film IndustryNYU Press, 12 февр. 2007 г. - Всего страниц: 303 Winner of the Religious Communication Association Book of the Year Award for 2008 |
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... biblical groundwork for a culture of resistance, for those people who wished to sing their own songs, write their own poetry, dance and joke according to their own rhythms and humors, design their own artistic works, and speak boldly ...
... biblical, literary, and historical Quality Films in an attempt to attract middle-class and highbrow audiences. In the early 1910s, the Italians exported impressive epics such as Giovanni Pastrone'sCabiria,Enrico Guazzoni'sQuo Vadis?and ...
... biblical stories into the vernacular of visual communication. Religious apologists like George Anderson and Herbert Jump articulated ways and means to discover the religious possibilities of film. Congregationalists from New England ...
... biblical and ecclesiastical notions of graven images and brazen serpents shaped its reluctant affections. Moving images were theologically problematic for many adherents of the second commandment. Of particular relevance was a ...
... biblical narrative in Numbers (21:4f) regarding the death of some of the children of Israel in the wilderness. When these people grumbled and complained about the lack of food and water (not only was the food miserable and loathsome ...
Содержание
2 | |
16 | |
56 | |
Divine Shows | 118 |
Better Films | 180 |
Film as Religion | 204 |
Notes | 226 |
Bibliography | 294 |
Index | 298 |