Sanctuary Cinema: Origins of the Christian Film IndustryNYU Press, 12 февр. 2007 г. - Всего страниц: 303 Winner of the Religious Communication Association Book of the Year Award for 2008 |
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... century, asking: “What has Horace to do with the Psalms, Virgil with the Gospels, Cicero with the Apostles?” Trained as a classical rhetorician, Jerome suffered a vision in which he was called before divine judgment and condemned as ...
... century. Our first task is to define (and limit) the objects of our study, Christian films. In her inquiry into “What Makes a Film Christian?” critic Anne Henderson-Hart wanted to include films that have the power to inspire, educate ...
... century. In Giuseppe Tornatore's masterly Cinema Paradisio, Alfredo, an old grizzled projectionist of a small movie theater in a Sicilian village sits under the supervision of a meticulous censor, a vigilant Roman Catholic priest ...
... century was engaging, vital, and robust. Educational and uplift films championed by the moving picture industry press (e.g., Nickelodeon, Moving Picture World, etc.) boosted the mission of the churches, prompting them to modernize their ...
... century. Its technical sophistication, its mass appeal, and its amazing novelty made it the most desirable modern mode of recreation. Nickelodeons attracted immigrant and child audiences, often provoking reformers' concerns about such ...
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2 | |
16 | |
56 | |
Divine Shows | 118 |
Better Films | 180 |
Film as Religion | 204 |
Notes | 226 |
Bibliography | 294 |
Index | 298 |