Sanctuary Cinema: Origins of the Christian Film IndustryNYU Press, 12 февр. 2007 г. - Всего страниц: 303 Winner of the Religious Communication Association Book of the Year Award for 2008 |
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... Drama of Creation and The Stream of Life, as well as the ordinary sectarian films that flooded the market. Chapter 4 details the nonsectarian business of making, distributing, and exhibiting nontheatrical religious films and chronicles ...
... drama could be used to reform sinners. (The film industry press tactically reinforced the notion that the movie house was replacing the saloon.) Griffith, as well, held to a fuzzy postmillennialism, with a belief that filmmakers, being ...
... dramatic narrative practices that churches would embrace and fear, adopt and denounce. By the early 1920s, with several scandals erupting in Hollywood, such as the murder trials of comedian Roscoe “Fatty” Arbuckle, the church began to ...
... dramatic storytelling artists to explore moral themes and notions of fate, to vivify history and myth, and to mock social conventions and authorities. However, by the time the church spread throughout the Roman Empire, the moral quality ...
... drama. The young church of the first century viewed the underlying influence of Dionysus as a dangerous diversion from a serious call to religious life. In his De Spectaculis, African church father Tertullian (155–225), condemned the ...
Содержание
2 | |
16 | |
56 | |
Divine Shows | 118 |
Better Films | 180 |
Film as Religion | 204 |
Notes | 226 |
Bibliography | 294 |
Index | 298 |