Sanctuary Cinema: Origins of the Christian Film IndustryNYU Press, 12 февр. 2007 г. - Всего страниц: 303 Winner of the Religious Communication Association Book of the Year Award for 2008 |
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... entertainment to produce a genre of religious cinema that is remarkably political: political because it subverts the secular city by envisioning, however inartistically or superficially, the City of God. One enduring characteristic of ...
... entertainment culture, contrary to what we might expect.6 They did not often question the capitalist system as such ... Entertainment Weekly featured a two-week special report on Christian entertainment.7 In 2003, director Mel Gibson ...
... entertainment, or could they do holy work? Would technological inventions, distribution and exhibition practices, and the politics of egos contribute to the church's place in society? The early-twentieth-century church recognized the ...
... entertainment and that schools and churches will count the films as among their most valuable equipment.”12 The churches believed their mission was to educate and uplift the masses and many embraced this richly optimistic hope. Many ...
... entertainments as early as 1910, eliciting a pronouncement from the editor of the Moving Picture World that such favorable usage demonstrated that “clergymen as a whole are not antagonistic to motion Introduction | 9.
Содержание
2 | |
16 | |
56 | |
Divine Shows | 118 |
Better Films | 180 |
Film as Religion | 204 |
Notes | 226 |
Bibliography | 294 |
Index | 298 |