Sanctuary Cinema: Origins of the Christian Film IndustryNYU Press, 12 февр. 2007 г. - Всего страниц: 303 Winner of the Religious Communication Association Book of the Year Award for 2008 |
Результаты поиска по книге
Результаты 1 – 5 из 19
... evangelical purposes. Suspicion arose that trafficking in images would open the door for a reversal of authority and influence. The mid-1920s brought a shift in terms of the relationship of church to the mass popular arts, with the ...
... evangelical church was as likely to use films as the more liberal, modern churches. The positive reception of film marked both groups as they envisioned grand opportunities to animate the messages of the Gospel for personal salvation ...
... evangelical films. In the political forefront of the Temperance, Sabbatarian, and uplift movements, Methodists embraced the Victorian moral cinema of their own southern Methodist “missionary” filmmaker, D. W. Griffith. His A Drunkard's ...
... Evangelicals had no reason to consider such experiences [of moviegoing] morally objectionable.” In fact, they hoped that these early forms of technologically sophisticated entertainments would bring more opportunities for religious ...
... evangelicals and conservative Protestants film flickered against the conscience as a technological form of graven images, this was not the case for Orthodox and Roman Catholic Christians. The latter are marked as the aesthetic ...
Содержание
2 | |
16 | |
56 | |
Divine Shows | 118 |
Better Films | 180 |
Film as Religion | 204 |
Notes | 226 |
Bibliography | 294 |
Index | 298 |