Sanctuary Cinema: Origins of the Christian Film IndustryNYU Press, 12 февр. 2007 г. - Всего страниц: 303 Winner of the Religious Communication Association Book of the Year Award for 2008 |
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... faith, learning, and morality with the health of civilization, and showed thoughtful (and optimistic) discernment when it came to the role of the moving picture in promoting such health. Interdenominational differences did occur ...
... faith that eventuated in good works. In contrast, by 1925 the Gospel of success according to advertising genius Bruce Barton, The Man Nobody Knows, would update Jesus as Rotarian businessman, a go-getter, and a sort of Babbitt on Main ...
... faith. The publication of his 1923 Christianity and Liberalism attacked the creeping theological modernism and higher criticism of his Presbyterian Church. Film scholars William Uricchio and Roberta Pearson have pointed to the way this ...
... faith wanting to see and thereby know the power of the gods. One sought to see the heavens by means of the world's materials, an idea that leads to both idolatry and the Incarnation: invisibilia per visibilia. The devotion and worship ...
... faith from its true object to artistic productions, resulting in their gaining power over the viewer. One surrenders, as it were, to the principalities and powers behind a desirable material or sexual graven image. Images become charged ...
Содержание
2 | |
16 | |
56 | |
Divine Shows | 118 |
Better Films | 180 |
Film as Religion | 204 |
Notes | 226 |
Bibliography | 294 |
Index | 298 |