Sanctuary Cinema: Origins of the Christian Film IndustryNYU Press, 12 февр. 2007 г. - Всего страниц: 303 Winner of the Religious Communication Association Book of the Year Award for 2008 |
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... filmmaking, of films not produced for general theatrical release, has been a fragmented, “lowbrow” network that confesses and professes to a distinctly sectarian vision. Its function is predominantly didactic. Its ideology is ...
... filmmakers frequently saw themselves as struggling to be in the world but not of it, wrestling with the classic dilemma ... filmmaking, particularly those associated with various orders of the Roman Catholic Church, sought to be voices ...
... filmmaking was assimilated by the capitalist Hollywood system itself, and tagged as a conformist, rather than a transformational, imitator. In general, while the early Christian filmmakers held beliefs, values, and priorities markedly ...
... filmmaking and of cultural predecessors such as the magic lantern, the spiritual landscape paintings of the Hudson River School, illustrated stereopticon sermons, and the technological origins of religious films. Chapter 2 details the ...
... filmmakers, being the artists of a new “universal language,” would usher in the imminent Kingdom of God. Of all the groups, the Methodists demonstrated the greatest institutional enthusiasm for film, culminating in their 1919 Centenary ...
Содержание
2 | |
16 | |
56 | |
Divine Shows | 118 |
Better Films | 180 |
Film as Religion | 204 |
Notes | 226 |
Bibliography | 294 |
Index | 298 |