Sanctuary Cinema: Origins of the Christian Film IndustryNYU Press, 12 февр. 2007 г. - Всего страниц: 303 Winner of the Religious Communication Association Book of the Year Award for 2008 |
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... modern mode of recreation. Nickelodeons attracted immigrant and child audiences, often provoking reformers' concerns about such viewing publics being exposed at such a “formative and impressionable stage.”14 By the end of the first ...
... modern cultural trends, such as film. However, by the late 1920s liberal and Roman Catholic churches would join fundamentalists in challenging what they all viewed as the incipient immorality and secularity of the cultural media. Yet ...
... modern—creates an inescapable tension for Christian filmmakers; that each must come to grips with the nature and functions of the image, potentially stripping the holy from their art. This friction calls into question the entire visual ...
... modern film projector, for which he found mischievous uses. With this magic toy, Father Athanasius Kircher projected dancing shadows of phantasmogorphic images onto sheets of cloth.116 In an era of alchemy, where science and magic were ...
... . John of Damascus for the motion pictures; however, his apologetic for the efficacy of icons in teaching the illiterate masses would be less theological and more pragmatic in keeping with the modern era. The Sanctuary Cinema | 59.
Содержание
2 | |
16 | |
56 | |
Divine Shows | 118 |
Better Films | 180 |
Film as Religion | 204 |
Notes | 226 |
Bibliography | 294 |
Index | 298 |