Sanctuary Cinema: Origins of the Christian Film IndustryNYU Press, 12 февр. 2007 г. - Всего страниц: 303 Winner of the Religious Communication Association Book of the Year Award for 2008 |
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... moral and religious concerns rather than aesthetic delights. Christian filmmakers frequently saw themselves as struggling to be in the world but not of it, wrestling with the classic dilemma articulated by church father Tertullian ...
... moral edification, drawing in converts through the emotionally and spiritually resonant themes and images of their films. The purpose of this book is to illuminate the earliest years of Protestant filmmaking—the era of silent films ...
... the Christian church constantly viewed film as the devil's camera, a moral leprosy, or an incubator for sin. Watching films was akin to flirting with the devil; thus a priest must guard that no vile thing should Introduction | 5.
... moral principles—that “in time moving pictures will be utilized quite as the stereopticon is at present for all purposes of education and entertainment and that schools and churches will count the films as among their most valuable ...
... , Methodists embraced the Victorian moral cinema of their own southern Methodist “missionary” filmmaker, D. W. Griffith. His A Drunkard's Reformation, for example, warned of the harmful consequences of drink and 8 | Introduction.
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16 | |
56 | |
Divine Shows | 118 |
Better Films | 180 |
Film as Religion | 204 |
Notes | 226 |
Bibliography | 294 |
Index | 298 |