Sanctuary Cinema: Origins of the Christian Film IndustryNYU Press, 12 февр. 2007 г. - Всего страниц: 303 Winner of the Religious Communication Association Book of the Year Award for 2008 |
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... nontheatrical filmmaking, of films not produced for general theatrical release, has been a fragmented, “lowbrow” network that confesses and professes to a distinctly sectarian vision. Its function is predominantly didactic. Its ideology ...
... nontheatrical agencies in the country, experimenting with shows to attract crowds, succor youth, and illustrate the power of the Gospel message. It was a powerful force in both promoting and shaping the new medium and in using the ...
... nontheatrical films that preach, teach, and evangelize. My focus keys in on Protestant film industries as inclusion of early Roman Catholic activity would require a bigger book. My task here is much more than identifying such Christian ...
... nontheatrical religious films and chronicles both the quest for better pictures and the eventual decline of religious filmmaking at the end of the silent film era. In conclusion I argue that the assimilation of film into churches ...
... of instructing and entertaining their congregations, and of exploiting nontheatrical films to serve the Kingdom of God and their parishes. The moving picture emerged as the paramount amusement industry of 6 | Introduction.
Содержание
2 | |
16 | |
56 | |
Divine Shows | 118 |
Better Films | 180 |
Film as Religion | 204 |
Notes | 226 |
Bibliography | 294 |
Index | 298 |