Sanctuary Cinema: Origins of the Christian Film IndustryNYU Press, 12 февр. 2007 г. - Всего страниц: 303 Winner of the Religious Communication Association Book of the Year Award for 2008 |
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... be bad art, but it is ours.” However, just as icons were fashioned not to draw attention to their craftsmanship but to draw spectators into worship, so Christian films have been crafted primarily to preach rather than 1.
... preach rather than to entertain, to emphasize moral and religious concerns rather than aesthetic delights. Christian filmmakers frequently saw themselves as struggling to be in the world but not of it, wrestling with the classic dilemma ...
... preaching to the choir. Yet some were remarkably effective in evangelistic propaganda, historical instruction, and moral edification, drawing in converts through the emotionally and spiritually resonant themes and images of their films ...
... preach, teach, and evangelize. My focus keys in on Protestant film industries as inclusion of early Roman Catholic activity would require a bigger book. My task here is much more than identifying such Christian films. The historiography ...
... preach salvation and advance personal holiness, as Victorian Protestantism had emphasized. Social and political reformers sought to usher in an immanent Kingdom of God and would use any means possible, even Introduction | 11.
Содержание
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16 | |
56 | |
Divine Shows | 118 |
Better Films | 180 |
Film as Religion | 204 |
Notes | 226 |
Bibliography | 294 |
Index | 298 |