Sanctuary Cinema: Origins of the Christian Film IndustryNYU Press, 12 февр. 2007 г. - Всего страниц: 303 Winner of the Religious Communication Association Book of the Year Award for 2008 |
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... least in church basements and school auditoria, in distinct educational and prophetic ways. They saw themselves as standing on their own “sacred” and separate values, identifying themselves 2 | Introduction Introduction.
Origins of the Christian Film Industry Terry Lindvall. standing on their own “sacred” and separate values, identifying themselves through what they define as signs of difference. The Christian film industry's great potential was to ...
... sacred theme.”26 Most denominations baptized the use of moving pictures in the first two decades of the twentieth century, with a few of them fully immersing themselves in adapting it to ecclesiastical and pedagogical purposes. These ...
... sacred life of the community. Roman Catholics generally disregarded the Puritan Sabbath of a Protestant society, a holiday that closed all amusements and social activities and even sought to restrain Sunday automobiling and baseball ...
... sacred realms. What they would prove to be in the early twentieth century was a brazen serpent, a kinetic and iconic set of dramatic narrative practices that churches would embrace and fear, adopt and denounce. By the early 1920s, with ...
Содержание
2 | |
16 | |
56 | |
Divine Shows | 118 |
Better Films | 180 |
Film as Religion | 204 |
Notes | 226 |
Bibliography | 294 |
Index | 298 |