Sanctuary Cinema: Origins of the Christian Film IndustryNYU Press, 12 февр. 2007 г. - Всего страниц: 303 Winner of the Religious Communication Association Book of the Year Award for 2008 |
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... secular city by envisioning, however inartistically or superficially, the City of God. One enduring characteristic of this tribal people's art may well be that it strikes a popular art industry as artless: rough, unpolished ...
... secular counterparts, they did not consistently separate themselves from the American entertainment culture, contrary to what we might expect.6 They did not often question the capitalist system as such, but instead warned against the ...
... secular American civil religion which proclaimed a self-saving ideology that began to displace the evangelical sensibility that churches had sought to promote. Ultimately the advent of radio attenuated organized religion's involvement ...
... secular theaters. Actors, who were mostly migratory entertainers at that time, were viewed as the devil's companions. The sophomoric reputations of the Goliards, traveling vagabonds more given to wine, women, and song (drugs, sex, and ...
... secular in origin and intent, could potentially be made religious.21 In a city of fifteen thousand wage earners, many of them of foreign birth, the Reverend Jump saw the motion picture as a potentially very serviceable adjunct to ...
Содержание
2 | |
16 | |
56 | |
Divine Shows | 118 |
Better Films | 180 |
Film as Religion | 204 |
Notes | 226 |
Bibliography | 294 |
Index | 298 |