Sanctuary Cinema: Origins of the Christian Film IndustryNYU Press, 12 февр. 2007 г. - Всего страниц: 303 Winner of the Religious Communication Association Book of the Year Award for 2008 |
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... social history of religion.4 In what might serve as a classic paradigm for the religious filmmaker, liberation theologian Gustavo Gutierrez laid the biblical groundwork for a culture of resistance, for those people who wished to sing ...
... social change even as the burgeoning field of mass media in turn shaped the methods and message of the church. Today, the recent emergence of this cottage industry into the public eye raises the question of whether the movement has ...
... social historian Lary May has pointed out, most of the early film producers, like Thomas Edison, were Protestants, but they were quickly surpassed by imaginative independents from an assimilated Jewish heritage, whose savvy sense of ...
... social reform, respectively. Yet coincidentally, religious leaders envisioned the possibilities of the religious film just as exhibitors and critics found such tableau features as From the Manger to the Cross dull. Uplifting films ...
... social issues demanded the attention of church leaders. In this age of Reform, passionate concerns over blue laws, Sunday shows, and temperance stemmed from both the holiness tradition that shaped many religious bodies and the abuse of ...
Содержание
2 | |
16 | |
56 | |
Divine Shows | 118 |
Better Films | 180 |
Film as Religion | 204 |
Notes | 226 |
Bibliography | 294 |
Index | 298 |