Sanctuary Cinema: Origins of the Christian Film IndustryNYU Press, 12 февр. 2007 г. - Всего страниц: 303 Winner of the Religious Communication Association Book of the Year Award for 2008 |
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... spiritual resistance to a deeply insidious consumerist culture. Some corners of Christian filmmaking, particularly those associated with various orders of the Roman Catholic Church, sought to be voices crying in the wilderness, or at ...
... spiritually resonant themes and images of their films. The purpose of this book is to illuminate the earliest years of Protestant filmmaking—the era of silent films. Remarkably, as we will see, the church functioned as one of the most ...
... spiritually provocative (and some of my personal favorite) silent films, such as Sparrows, The Disciple, The Gaucho, and The Passion of Joan of Arc. However, other critical studies have dealt insightfully with these and others like them ...
... spiritual landscape paintings of the Hudson River School, illustrated stereopticon sermons, and the technological origins of religious films. Chapter 2 details the development of a sanctuary cinema, introducing its foremost ...
... spiritual and moral ideals and enhance its mission to a public slipping away into a mass culture of silent dreams. Whether Pandora's box, Trojan horse, or golden calf, as some feared, the moving pictures invaded sacred realms. What they ...
Содержание
2 | |
16 | |
56 | |
Divine Shows | 118 |
Better Films | 180 |
Film as Religion | 204 |
Notes | 226 |
Bibliography | 294 |
Index | 298 |