Sanctuary Cinema: Origins of the Christian Film IndustryNYU Press, 12 февр. 2007 г. - Всего страниц: 303 Winner of the Religious Communication Association Book of the Year Award for 2008 |
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... theater, come to embrace the showing of films from its very pulpits? Were films merely art and entertainment, or could they do holy work? Would technological inventions, distribution and exhibition practices, and the politics of egos ...
... theater in a Sicilian village sits under the supervision of a meticulous censor, a vigilant Roman Catholic priest, Father Adelfio. In this post-World War II era, the cleric previews and scrutinizes each film before it is shown to a ...
... theater. Ambivalent religious attitudes to both these spheres of representation and communication would shape religious attitudes toward the acceptance, adoption, and rejection of the religious moving picture movement. The Brazen ...
... theater, with its pagan ritual of mimesis. Both Greek and Roman civilization established a central place for their dramatic storytelling artists to explore moral themes and notions of fate, to vivify history and myth, and to mock social ...
... theater and image making. Since cinema itself was fertilized in the ground of these two imaginative visual modes of communication, it behooves us to consider their historical status among various church leaders. The Iconoclastic ...
Содержание
2 | |
16 | |
56 | |
Divine Shows | 118 |
Better Films | 180 |
Film as Religion | 204 |
Notes | 226 |
Bibliography | 294 |
Index | 298 |