Sanctuary Cinema: Origins of the Christian Film IndustryNYU Press, 12 февр. 2007 г. - Всего страниц: 303 Winner of the Religious Communication Association Book of the Year Award for 2008 |
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... uplift, and propagate. They are tribal films, told and retold within their own community to carry on its traditions and values. The makers of these films go against the grain of mere entertainment to produce a genre of religious cinema ...
... uplift in the stupendous 1919 Methodist Centenary. Chapter 3 considers the most notable divine shows, the Photo-Drama of Creation and The Stream of Life, as well as the ordinary sectarian films that flooded the market. Chapter 4 details ...
... uplift films— films that ennobled the human spirit and taught moral principles—that “in time moving pictures will be utilized quite as the stereopticon is at present for all purposes of education and entertainment and that schools and ...
... uplift movements, Methodists embraced the Victorian moral cinema of their own southern Methodist “missionary” filmmaker, D. W. Griffith. His A Drunkard's Reformation, for example, warned of the harmful consequences of drink and 8 ...
... uplift. The positive historical uses of the icon and the theater for spiritual and moral instruction reminded religious leaders of the potential to adapt other means of communication for the work of the Lord. Although it would be years ...
Содержание
2 | |
16 | |
56 | |
Divine Shows | 118 |
Better Films | 180 |
Film as Religion | 204 |
Notes | 226 |
Bibliography | 294 |
Index | 298 |